Tear-language: weeping as resistance in Islamic and Christian contemplative hagiography

Women's weeping forms the basis for a powerful, resistive discourse in medieval Christian and Islamic hagiographic modes. This is keenly evident in Abū ʿAbd ar-Raḥmān as-Sulamī's (d. 1021) Dhikr an-Niswa al-Mutaʿabbidāaṣ-ṣūfiyyāt (Remembrances of Women Sufi Devotees), Abū al Faraj ibn al-J...

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Main Author: Lazikani, A
Other Authors: Verini, A
Format: Book section
Language:English
Published: Routledge 2023
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author Lazikani, A
author2 Verini, A
author_facet Verini, A
Lazikani, A
author_sort Lazikani, A
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description Women's weeping forms the basis for a powerful, resistive discourse in medieval Christian and Islamic hagiographic modes. This is keenly evident in Abū ʿAbd ar-Raḥmān as-Sulamī's (d. 1021) Dhikr an-Niswa al-Mutaʿabbidāaṣ-ṣūfiyyāt (Remembrances of Women Sufi Devotees), Abū al Faraj ibn al-Jawzī's (d. 1201) Ṣifat as-Ṣafwa (The Features of the Elect), and Jacques de Vitry's (c. 1170–1240) Vita Mariæ Oigniacensis (Life of Marie d’Oignies). The communities of women in these texts mobilize their extreme weeping to substantiate their intimacy with the Divine and to form acts of a loving pedagogy—a teaching practice driven by love for the Divine and fellow devotees. In turn, the women's weeping becomes a hermeneutic site in which women can resist others’ (mis)interpretations of their practice. I am interested in what might be termed the phenomenon of “tear-language” among these women: a hermeneutic and pedagogical discourse inspired by weeping practice.
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spelling oxford-uuid:82685fb8-4c5a-4b46-b04b-3c2abd1049452023-10-31T11:12:45ZTear-language: weeping as resistance in Islamic and Christian contemplative hagiographyBook sectionhttp://purl.org/coar/resource_type/c_1843uuid:82685fb8-4c5a-4b46-b04b-3c2abd104945EnglishSymplectic ElementsRoutledge2023Lazikani, AVerini, ABazaz, AWomen's weeping forms the basis for a powerful, resistive discourse in medieval Christian and Islamic hagiographic modes. This is keenly evident in Abū ʿAbd ar-Raḥmān as-Sulamī's (d. 1021) Dhikr an-Niswa al-Mutaʿabbidāaṣ-ṣūfiyyāt (Remembrances of Women Sufi Devotees), Abū al Faraj ibn al-Jawzī's (d. 1201) Ṣifat as-Ṣafwa (The Features of the Elect), and Jacques de Vitry's (c. 1170–1240) Vita Mariæ Oigniacensis (Life of Marie d’Oignies). The communities of women in these texts mobilize their extreme weeping to substantiate their intimacy with the Divine and to form acts of a loving pedagogy—a teaching practice driven by love for the Divine and fellow devotees. In turn, the women's weeping becomes a hermeneutic site in which women can resist others’ (mis)interpretations of their practice. I am interested in what might be termed the phenomenon of “tear-language” among these women: a hermeneutic and pedagogical discourse inspired by weeping practice.
spellingShingle Lazikani, A
Tear-language: weeping as resistance in Islamic and Christian contemplative hagiography
title Tear-language: weeping as resistance in Islamic and Christian contemplative hagiography
title_full Tear-language: weeping as resistance in Islamic and Christian contemplative hagiography
title_fullStr Tear-language: weeping as resistance in Islamic and Christian contemplative hagiography
title_full_unstemmed Tear-language: weeping as resistance in Islamic and Christian contemplative hagiography
title_short Tear-language: weeping as resistance in Islamic and Christian contemplative hagiography
title_sort tear language weeping as resistance in islamic and christian contemplative hagiography
work_keys_str_mv AT lazikania tearlanguageweepingasresistanceinislamicandchristiancontemplativehagiography