The Price of Art: A Case Study.

This paper discusses a dispute heard in Britain in 1992 by the Copyright Tribunal concerning royalty rates for compositions used on records, and sets out a framework for analysing such problems, which can be summarized as follows. A recording requires inputs of at least three kinds — the original co...

Full description

Bibliographic Details
Main Authors: Cave, M, Michie, J
Format: Journal article
Language:English
Published: Elsevier 1994
_version_ 1797079702154772480
author Cave, M
Michie, J
author_facet Cave, M
Michie, J
author_sort Cave, M
collection OXFORD
description This paper discusses a dispute heard in Britain in 1992 by the Copyright Tribunal concerning royalty rates for compositions used on records, and sets out a framework for analysing such problems, which can be summarized as follows. A recording requires inputs of at least three kinds — the original composition, the artist and the manufacturing process. Customers' willingness to pay then determines its market value. Each of the three contributing parties has alternative uses to which the relevant productive inputs can be put, and this determines a floor on the payment which is made to them. A residual — if any — is then available for distribution. The issue then becomes one of equitable division, and various approaches justified on ethical principles or behavioural observations are available for determining that division. The key issue in determining a ‘just’ or ‘equitable’ royalty rate is whether the royalty is to be seen as a cost to the record company, to be accounted for before profits are derived, or rather as a share in profits. Our argument is that they should be considered to be both; that in arriving at a rate there should be a cost component, added to which should be a revenue component.
first_indexed 2024-03-07T00:49:32Z
format Journal article
id oxford-uuid:85e777d3-1163-4f6f-b9dd-ad917929945e
institution University of Oxford
language English
last_indexed 2024-03-07T00:49:32Z
publishDate 1994
publisher Elsevier
record_format dspace
spelling oxford-uuid:85e777d3-1163-4f6f-b9dd-ad917929945e2022-03-26T22:00:33ZThe Price of Art: A Case Study.Journal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:85e777d3-1163-4f6f-b9dd-ad917929945eEnglishDepartment of Economics - ePrintsElsevier1994Cave, MMichie, JThis paper discusses a dispute heard in Britain in 1992 by the Copyright Tribunal concerning royalty rates for compositions used on records, and sets out a framework for analysing such problems, which can be summarized as follows. A recording requires inputs of at least three kinds — the original composition, the artist and the manufacturing process. Customers' willingness to pay then determines its market value. Each of the three contributing parties has alternative uses to which the relevant productive inputs can be put, and this determines a floor on the payment which is made to them. A residual — if any — is then available for distribution. The issue then becomes one of equitable division, and various approaches justified on ethical principles or behavioural observations are available for determining that division. The key issue in determining a ‘just’ or ‘equitable’ royalty rate is whether the royalty is to be seen as a cost to the record company, to be accounted for before profits are derived, or rather as a share in profits. Our argument is that they should be considered to be both; that in arriving at a rate there should be a cost component, added to which should be a revenue component.
spellingShingle Cave, M
Michie, J
The Price of Art: A Case Study.
title The Price of Art: A Case Study.
title_full The Price of Art: A Case Study.
title_fullStr The Price of Art: A Case Study.
title_full_unstemmed The Price of Art: A Case Study.
title_short The Price of Art: A Case Study.
title_sort price of art a case study
work_keys_str_mv AT cavem thepriceofartacasestudy
AT michiej thepriceofartacasestudy
AT cavem priceofartacasestudy
AT michiej priceofartacasestudy