Drawing sounds: representing tones and chords spatially

Research on the crossmodal correspondences has revealed that seemingly unrelated perceptual information can be matched across the senses in a manner that is consistent across individuals. An interesting extension of this line of research is to study how sensory information biases action. In the pres...

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Main Authors: Salgado-Montejo, A, Marmolejo-Ramos, F, Alvarado, J, Arboleda, J, Suarez, D, Spence, C
Formato: Journal article
Idioma:English
Publicado: Springer Verlag 2016
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author Salgado-Montejo, A
Marmolejo-Ramos, F
Alvarado, J
Arboleda, J
Suarez, D
Spence, C
author_facet Salgado-Montejo, A
Marmolejo-Ramos, F
Alvarado, J
Arboleda, J
Suarez, D
Spence, C
author_sort Salgado-Montejo, A
collection OXFORD
description Research on the crossmodal correspondences has revealed that seemingly unrelated perceptual information can be matched across the senses in a manner that is consistent across individuals. An interesting extension of this line of research is to study how sensory information biases action. In the present study, we investigated whether different sounds (i.e. tones and piano chords) would bias participants' hand movements in a free movement task. Right-handed participants were instructed to move a computer mouse in order to represent three tones and two chords. They also had to rate each sound in terms of three visual analogue scales (slow-fast, unpleasant-pleasant, and weak-strong). The results demonstrate that tones and chords influence hand movements, with higher-(lower-)pitched sounds giving rise to a significant bias towards upper (lower) locations in space. These results are discussed in terms of the literature on forward models, embodied cognition, crossmodal correspondences, and mental imagery. Potential applications sports and rehabilitation are discussed briefly.
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spelling oxford-uuid:861b9b64-8b51-4368-99f0-a529abddb3ea2022-03-26T22:01:57ZDrawing sounds: representing tones and chords spatiallyJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:861b9b64-8b51-4368-99f0-a529abddb3eaEnglishSymplectic Elements at OxfordSpringer Verlag2016Salgado-Montejo, AMarmolejo-Ramos, FAlvarado, JArboleda, JSuarez, DSpence, CResearch on the crossmodal correspondences has revealed that seemingly unrelated perceptual information can be matched across the senses in a manner that is consistent across individuals. An interesting extension of this line of research is to study how sensory information biases action. In the present study, we investigated whether different sounds (i.e. tones and piano chords) would bias participants' hand movements in a free movement task. Right-handed participants were instructed to move a computer mouse in order to represent three tones and two chords. They also had to rate each sound in terms of three visual analogue scales (slow-fast, unpleasant-pleasant, and weak-strong). The results demonstrate that tones and chords influence hand movements, with higher-(lower-)pitched sounds giving rise to a significant bias towards upper (lower) locations in space. These results are discussed in terms of the literature on forward models, embodied cognition, crossmodal correspondences, and mental imagery. Potential applications sports and rehabilitation are discussed briefly.
spellingShingle Salgado-Montejo, A
Marmolejo-Ramos, F
Alvarado, J
Arboleda, J
Suarez, D
Spence, C
Drawing sounds: representing tones and chords spatially
title Drawing sounds: representing tones and chords spatially
title_full Drawing sounds: representing tones and chords spatially
title_fullStr Drawing sounds: representing tones and chords spatially
title_full_unstemmed Drawing sounds: representing tones and chords spatially
title_short Drawing sounds: representing tones and chords spatially
title_sort drawing sounds representing tones and chords spatially
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AT arboledaj drawingsoundsrepresentingtonesandchordsspatially
AT suarezd drawingsoundsrepresentingtonesandchordsspatially
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