‘Aptlie framed for the dittie’: a study of setting sacred Latin texts to music in sixteenth-century England
<p>Although considerable attention has been paid to the texting practices of specific composers and certain repertoires, a comprehensive study of the practice of texting in the sacred Latin‐texted vocal works of sixteenth‐century England remains to be undertaken. How did English composers, scr...
Main Author: | Ku, CJS |
---|---|
Other Authors: | Rees, OL |
Format: | Thesis |
Language: | English |
Published: |
2014
|
Subjects: |
Similar Items
-
Sacred polychoral music in Rome, 1575-1621
by: O'Regan, T, et al.
Published: (1988) -
Sixteenth-century intabulation processes and their relationship to the formation and understanding of Sweelinck's keyboard style
by: Souter, M
Published: (1990) -
Contrafacta. Modes of music re-textualization in the late sixteenth and seventeenth century, eds. Marina Toffetti, Gabriele Taschetti, Kraków 2020
by: Nicolò Ferrari
Published: (2021-04-01) -
Some shorter satirical poems in English from the thirteenth to the early sixteenth centuries
by: Fahey, K, et al.
Published: (1993) -
Names of Snakes in Latvian Texts of the Sixteenth and Seventeenth Centuries
by: Anta Trumpa
Published: (2020-12-01)