The Literature of Italy in Byron's Poems of 1817-20
This chapter focuses on Byron’s The Lament of Tasso and The Prophecy of Dante alongside his translations of Filicaja in the fourth canto of Childe Harold’s Pilgrimage and Pulci’s Morgante Maggiore. It begins by exploring the ways in which Byron ‘exploited both the writings and the figures of Italian...
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| Médium: | Book section |
| Jazyk: | English |
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Manchester University Press
2017
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| _version_ | 1826284330118283264 |
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| author | Halmi, N |
| author2 | Rawes, A |
| author_facet | Rawes, A Halmi, N |
| author_sort | Halmi, N |
| collection | OXFORD |
| description | This chapter focuses on Byron’s The Lament of Tasso and The Prophecy of Dante alongside his translations of Filicaja in the fourth canto of Childe Harold’s Pilgrimage and Pulci’s Morgante Maggiore. It begins by exploring the ways in which Byron ‘exploited both the writings and the figures of Italian writers (especially the exiled Dante and imprisoned Tasso) to construct his own cosmopolitan poetic identity’, reinventing himself as simultaneously – and ambiguously – an English and an Italian poet. In the translation of Pulci, however, Byron stresses his foreignness to both British and Italian poetic traditions, cutting a cosmopolitan figure not through identity but difference. While in his letters – and, of course, many of his poems – Byron is both British and Italian, Italian literature could also offer the poet a way of being neither. |
| first_indexed | 2024-03-07T01:12:12Z |
| format | Book section |
| id | oxford-uuid:8d66c820-f267-4fec-96f6-a3cb1567e2a7 |
| institution | University of Oxford |
| language | English |
| last_indexed | 2024-03-07T01:12:12Z |
| publishDate | 2017 |
| publisher | Manchester University Press |
| record_format | dspace |
| spelling | oxford-uuid:8d66c820-f267-4fec-96f6-a3cb1567e2a72022-03-26T22:51:04ZThe Literature of Italy in Byron's Poems of 1817-20Book sectionhttp://purl.org/coar/resource_type/c_3248uuid:8d66c820-f267-4fec-96f6-a3cb1567e2a7EnglishSymplectic Elements at OxfordManchester University Press2017Halmi, NRawes, ASaglia, DThis chapter focuses on Byron’s The Lament of Tasso and The Prophecy of Dante alongside his translations of Filicaja in the fourth canto of Childe Harold’s Pilgrimage and Pulci’s Morgante Maggiore. It begins by exploring the ways in which Byron ‘exploited both the writings and the figures of Italian writers (especially the exiled Dante and imprisoned Tasso) to construct his own cosmopolitan poetic identity’, reinventing himself as simultaneously – and ambiguously – an English and an Italian poet. In the translation of Pulci, however, Byron stresses his foreignness to both British and Italian poetic traditions, cutting a cosmopolitan figure not through identity but difference. While in his letters – and, of course, many of his poems – Byron is both British and Italian, Italian literature could also offer the poet a way of being neither. |
| spellingShingle | Halmi, N The Literature of Italy in Byron's Poems of 1817-20 |
| title | The Literature of Italy in Byron's Poems of 1817-20 |
| title_full | The Literature of Italy in Byron's Poems of 1817-20 |
| title_fullStr | The Literature of Italy in Byron's Poems of 1817-20 |
| title_full_unstemmed | The Literature of Italy in Byron's Poems of 1817-20 |
| title_short | The Literature of Italy in Byron's Poems of 1817-20 |
| title_sort | literature of italy in byron s poems of 1817 20 |
| work_keys_str_mv | AT halmin theliteratureofitalyinbyronspoemsof181720 AT halmin literatureofitalyinbyronspoemsof181720 |