The Biblical lyric of Benito Arias Montano in its European and Spanish contexts

The lyric poetry of the Spanish humanist Benito Arias Montano (1527–1598) has been called “the culmination of Neo-Latin poetry in Spain”; however, there is a dearth of scholarship on his collections of original lyric poetry, Humanae salutis monumenta (1571) and Hymni et secula (1593). In this study,...

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Main Author: Czepiel, M
Format: Conference item
Language:English
Published: Brill Academic Publishers 2024
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author Czepiel, M
author_facet Czepiel, M
author_sort Czepiel, M
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description The lyric poetry of the Spanish humanist Benito Arias Montano (1527–1598) has been called “the culmination of Neo-Latin poetry in Spain”; however, there is a dearth of scholarship on his collections of original lyric poetry, Humanae salutis monumenta (1571) and Hymni et secula (1593). In this study, I aim to situate these works in the context of early modern European ‘biblical poetry’ and Spanish Christian Horatianism. I explain that Arias Montano’s biblical poetry is exceptional since inquisitorial censorship in Spain had stifled vernacular poetry on biblical themes, a prohibition he overcame by writing in Latin. I go on to show how, while Arias Montano is part of the European trend of poetic versions of what were considered the ‘poetic’ biblical books, in his original poetry he departs from these trends. Rather, his original lyric constitutes an innovation in the field of versified outlines of the Bible. I argue that this was possible due, among other factors, to the Renaissance reception of Horace. Finally, I also demonstrate how his biblical poetry is markedly different from vernacular Christian Horatianism in Spain with its preference for moral-philosophical themes.
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spelling oxford-uuid:8e59b445-87a0-458c-afa5-1790b9706cc42024-06-21T09:23:40ZThe Biblical lyric of Benito Arias Montano in its European and Spanish contextsConference itemhttp://purl.org/coar/resource_type/c_5794uuid:8e59b445-87a0-458c-afa5-1790b9706cc4EnglishSymplectic ElementsBrill Academic Publishers2024Czepiel, MThe lyric poetry of the Spanish humanist Benito Arias Montano (1527–1598) has been called “the culmination of Neo-Latin poetry in Spain”; however, there is a dearth of scholarship on his collections of original lyric poetry, Humanae salutis monumenta (1571) and Hymni et secula (1593). In this study, I aim to situate these works in the context of early modern European ‘biblical poetry’ and Spanish Christian Horatianism. I explain that Arias Montano’s biblical poetry is exceptional since inquisitorial censorship in Spain had stifled vernacular poetry on biblical themes, a prohibition he overcame by writing in Latin. I go on to show how, while Arias Montano is part of the European trend of poetic versions of what were considered the ‘poetic’ biblical books, in his original poetry he departs from these trends. Rather, his original lyric constitutes an innovation in the field of versified outlines of the Bible. I argue that this was possible due, among other factors, to the Renaissance reception of Horace. Finally, I also demonstrate how his biblical poetry is markedly different from vernacular Christian Horatianism in Spain with its preference for moral-philosophical themes.
spellingShingle Czepiel, M
The Biblical lyric of Benito Arias Montano in its European and Spanish contexts
title The Biblical lyric of Benito Arias Montano in its European and Spanish contexts
title_full The Biblical lyric of Benito Arias Montano in its European and Spanish contexts
title_fullStr The Biblical lyric of Benito Arias Montano in its European and Spanish contexts
title_full_unstemmed The Biblical lyric of Benito Arias Montano in its European and Spanish contexts
title_short The Biblical lyric of Benito Arias Montano in its European and Spanish contexts
title_sort biblical lyric of benito arias montano in its european and spanish contexts
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AT czepielm biblicallyricofbenitoariasmontanoinitseuropeanandspanishcontexts