A feast in Carthage: testing the limits of ‘secularity’ in Late Antiquity

A now conventional model, developed by Robert Markus, sees late Roman cities as fundamentally secular landscapes. Focusing on Augustine's sermon against a feast of the genius of Carthage ( Sermo62), this article argues that narratives of 'secularity' have neglected pagans 'own at...

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Main Author: Gassman, MP
Format: Journal article
Language:English
Published: Cambridge University Press 2020
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author Gassman, MP
author_facet Gassman, MP
author_sort Gassman, MP
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description A now conventional model, developed by Robert Markus, sees late Roman cities as fundamentally secular landscapes. Focusing on Augustine's sermon against a feast of the genius of Carthage ( Sermo62), this article argues that narratives of 'secularity' have neglected pagans 'own attitudes and the circumstances that drove ordinary Christians' participation in civic rites. Behind Augustine's charges of 'idolatry' lay the religious convictions of the feast's non-Christian sponsors and behind their expectations of Christian attendance lay the recent destruction of a pagan shrine on church property. For Augustine's listeners to construe the feast as religiously irrelevant was an expression not of routine social solidarity, but of fear before powerful patrons. What was 'secular' was open to doubt and negotiation, both here and in empire-wide celebrations such as the Kalends of January; the boundary between the 'pagan' and the 'secular' can be located only with careful attention to the diversity of opinions about each particular rite.
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spelling oxford-uuid:902e50c8-e4e8-4958-ab83-775e86e8832c2022-03-26T23:09:56ZA feast in Carthage: testing the limits of ‘secularity’ in Late AntiquityJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:902e50c8-e4e8-4958-ab83-775e86e8832cEnglishSymplectic ElementsCambridge University Press2020Gassman, MPA now conventional model, developed by Robert Markus, sees late Roman cities as fundamentally secular landscapes. Focusing on Augustine's sermon against a feast of the genius of Carthage ( Sermo62), this article argues that narratives of 'secularity' have neglected pagans 'own attitudes and the circumstances that drove ordinary Christians' participation in civic rites. Behind Augustine's charges of 'idolatry' lay the religious convictions of the feast's non-Christian sponsors and behind their expectations of Christian attendance lay the recent destruction of a pagan shrine on church property. For Augustine's listeners to construe the feast as religiously irrelevant was an expression not of routine social solidarity, but of fear before powerful patrons. What was 'secular' was open to doubt and negotiation, both here and in empire-wide celebrations such as the Kalends of January; the boundary between the 'pagan' and the 'secular' can be located only with careful attention to the diversity of opinions about each particular rite.
spellingShingle Gassman, MP
A feast in Carthage: testing the limits of ‘secularity’ in Late Antiquity
title A feast in Carthage: testing the limits of ‘secularity’ in Late Antiquity
title_full A feast in Carthage: testing the limits of ‘secularity’ in Late Antiquity
title_fullStr A feast in Carthage: testing the limits of ‘secularity’ in Late Antiquity
title_full_unstemmed A feast in Carthage: testing the limits of ‘secularity’ in Late Antiquity
title_short A feast in Carthage: testing the limits of ‘secularity’ in Late Antiquity
title_sort feast in carthage testing the limits of secularity in late antiquity
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