'La verdad que adoro es la que niego': symbolism and sophistry in Calderón's 'La cisma de Inglaterra'
This essay provides an extensive analysis of the development of the dominant sets of poetic imagery in Calderón’s Henry VIII play, La cisma de Inglaterra. Enrique and Ana Bolena knowingly distort the standard symbolism of ascent and descent, and of the sun, with a view to manipulating their interloc...
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| Format: | Journal article |
| Language: | English |
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Johns Hopkins University Press
2016
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