Imaginary encounters: Walter Benjamin and the aura of photography

This article explores Walter Benjamin's famous concept of the aura in relation to his writings on photography. Although Benjamin's "Artwork" essay charges photography with the decline of the aura of the traditional artwork, his essay on photography complicates this historical nar...

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Main Author: Duttlinger, C
Format: Journal article
Language:English
Published: 2008
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author Duttlinger, C
author_facet Duttlinger, C
author_sort Duttlinger, C
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description This article explores Walter Benjamin's famous concept of the aura in relation to his writings on photography. Although Benjamin's "Artwork" essay charges photography with the decline of the aura of the traditional artwork, his essay on photography complicates this historical narrative, associating aura with early portrait photography but also with its successor, the commercial studio portrait. The childhood photograph of Franz Kafka, whose melancholy air serves Benjamin as an example of a paradoxical, post-auratic aura, recurs in his childhood memoirs, where the narrator projects himself into this picture. Benjamin's writings on photography thus develop an alternative concept of aura, one which transcends fixed historical or technological categories through the model of an imaginary encounter between viewer and image. This conception has far-reaching consequences not only for the theory of photography but also for its role within literature, as is suggested by Benjamin's empathetic engagement with the Kafka photograph and its incorporation into his own life story. © 2008 by Porter Institute for Poetics and Semiotics.
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spelling oxford-uuid:96c1b3c9-e42e-4176-b787-c6a9216b45cc2022-03-26T23:55:03ZImaginary encounters: Walter Benjamin and the aura of photographyJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:96c1b3c9-e42e-4176-b787-c6a9216b45ccEnglishSymplectic Elements at Oxford2008Duttlinger, CThis article explores Walter Benjamin's famous concept of the aura in relation to his writings on photography. Although Benjamin's "Artwork" essay charges photography with the decline of the aura of the traditional artwork, his essay on photography complicates this historical narrative, associating aura with early portrait photography but also with its successor, the commercial studio portrait. The childhood photograph of Franz Kafka, whose melancholy air serves Benjamin as an example of a paradoxical, post-auratic aura, recurs in his childhood memoirs, where the narrator projects himself into this picture. Benjamin's writings on photography thus develop an alternative concept of aura, one which transcends fixed historical or technological categories through the model of an imaginary encounter between viewer and image. This conception has far-reaching consequences not only for the theory of photography but also for its role within literature, as is suggested by Benjamin's empathetic engagement with the Kafka photograph and its incorporation into his own life story. © 2008 by Porter Institute for Poetics and Semiotics.
spellingShingle Duttlinger, C
Imaginary encounters: Walter Benjamin and the aura of photography
title Imaginary encounters: Walter Benjamin and the aura of photography
title_full Imaginary encounters: Walter Benjamin and the aura of photography
title_fullStr Imaginary encounters: Walter Benjamin and the aura of photography
title_full_unstemmed Imaginary encounters: Walter Benjamin and the aura of photography
title_short Imaginary encounters: Walter Benjamin and the aura of photography
title_sort imaginary encounters walter benjamin and the aura of photography
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