Patronage, punch-ups, and polite correspondence: the radical background of James Woodhouse’s early poetry

In this essay, Adam Bridgen argues that the oft-condemned “sycophancy” of James Woodhouse’s early poetry is a misapprehension that overlooks the emergence of his evangelical, egalitarian beliefs in the mid-1760s. Reconsidering the letters between Woodhouse and his patrons reveals not only the influe...

תיאור מלא

מידע ביבליוגרפי
מחבר ראשי: Bridgen, A
פורמט: Journal article
יצא לאור: University of Pennsylvania Press (Penn Press) 2017
_version_ 1826286331390590976
author Bridgen, A
author_facet Bridgen, A
author_sort Bridgen, A
collection OXFORD
description In this essay, Adam Bridgen argues that the oft-condemned “sycophancy” of James Woodhouse’s early poetry is a misapprehension that overlooks the emergence of his evangelical, egalitarian beliefs in the mid-1760s. Reconsidering the letters between Woodhouse and his patrons reveals not only the influential friendships he cultivated as a plebeian poet but also the class prejudices he continued to encounter and resist, often forcefully. Although he conformed to a humble self-portrayal in his 1764 and 1766 Poems, Woodhouse’s subversion of praise allowed him to criticise as well as commend elite behaviour; viewing benevolence as a Christian duty faithful to the more equal society that God had intended, he praised patronage, in fact, for its levelling potential.
first_indexed 2024-03-07T01:42:10Z
format Journal article
id oxford-uuid:973ec36a-1615-422b-a7e7-c116ff14c0f2
institution University of Oxford
last_indexed 2024-03-07T01:42:10Z
publishDate 2017
publisher University of Pennsylvania Press (Penn Press)
record_format dspace
spelling oxford-uuid:973ec36a-1615-422b-a7e7-c116ff14c0f22022-03-26T23:58:10ZPatronage, punch-ups, and polite correspondence: the radical background of James Woodhouse’s early poetryJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:973ec36a-1615-422b-a7e7-c116ff14c0f2Symplectic Elements at OxfordUniversity of Pennsylvania Press (Penn Press)2017Bridgen, AIn this essay, Adam Bridgen argues that the oft-condemned “sycophancy” of James Woodhouse’s early poetry is a misapprehension that overlooks the emergence of his evangelical, egalitarian beliefs in the mid-1760s. Reconsidering the letters between Woodhouse and his patrons reveals not only the influential friendships he cultivated as a plebeian poet but also the class prejudices he continued to encounter and resist, often forcefully. Although he conformed to a humble self-portrayal in his 1764 and 1766 Poems, Woodhouse’s subversion of praise allowed him to criticise as well as commend elite behaviour; viewing benevolence as a Christian duty faithful to the more equal society that God had intended, he praised patronage, in fact, for its levelling potential.
spellingShingle Bridgen, A
Patronage, punch-ups, and polite correspondence: the radical background of James Woodhouse’s early poetry
title Patronage, punch-ups, and polite correspondence: the radical background of James Woodhouse’s early poetry
title_full Patronage, punch-ups, and polite correspondence: the radical background of James Woodhouse’s early poetry
title_fullStr Patronage, punch-ups, and polite correspondence: the radical background of James Woodhouse’s early poetry
title_full_unstemmed Patronage, punch-ups, and polite correspondence: the radical background of James Woodhouse’s early poetry
title_short Patronage, punch-ups, and polite correspondence: the radical background of James Woodhouse’s early poetry
title_sort patronage punch ups and polite correspondence the radical background of james woodhouse s early poetry
work_keys_str_mv AT bridgena patronagepunchupsandpolitecorrespondencetheradicalbackgroundofjameswoodhousesearlypoetry