Ideal beauty in late eighteenth- and early nineteenth-century french art and art criticism with special reference to the role of drapery and costume
<p>Scholarly attention to late eighteenth- and early nineteenth-century French art has focused on the importance that Johann Joachim Winckelmann attributed to the male nude figure in his definition of ideal beauty, and the impact of his work on debates over the 'beau idéal' in French...
Yazar: | Gatty, F |
---|---|
Diğer Yazarlar: | Whiteley, J |
Materyal Türü: | Tez |
Dil: | English |
Baskı/Yayın Bilgisi: |
2014
|
Konular: |
Benzer Materyaller
-
Picturing a gentleman dancing-master
Yazar:: Thorp, J
Baskı/Yayın Bilgisi: (2012) -
Art, ceremony and the British monarchy, 1689-1714
Yazar:: Farguson, J
Baskı/Yayın Bilgisi: (2014) -
The individual’s triumph: the eighteenth-century consolidation of authorship and art historiography
Yazar:: David Pullins
Baskı/Yayın Bilgisi: (2017-06-01) -
The sovereignty of the royal portrait in revolutionary and Napoleonic Europe: five case studies surrounding Maria Carolina, Queen of Naples
Yazar:: Goudie, A, ve diğerleri
Baskı/Yayın Bilgisi: (2014) -
Impressionism : beneath the surface /
Yazar:: Smith, Paul, 1956-
Baskı/Yayın Bilgisi: (1995)