Ideal beauty in late eighteenth- and early nineteenth-century french art and art criticism with special reference to the role of drapery and costume
<p>Scholarly attention to late eighteenth- and early nineteenth-century French art has focused on the importance that Johann Joachim Winckelmann attributed to the male nude figure in his definition of ideal beauty, and the impact of his work on debates over the 'beau idéal' in French...
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| Μορφή: | Thesis |
| Γλώσσα: | English |
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2014
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