Noise, resistance, and intertext in Helmut Lachenmann's Dal niente (Interieur III) and Accanto
<p>The following is in two parts: a thesis, and a portfolio of compositions. The thesis examines the centrality of noise, and related concepts of resistance and intertextuality, to the music and writings of Helmut Lachenmann. It begins by outlining the challenges posed by writing about noise i...
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2019
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