The mimetic basis of pure music in Machaut's Refrain Songs: Part 2, musical abstraction
The dualistic relationship of words and music in Machaut’s refrain songs (proposed in Part 1 of this article) enables abstraction of the music from the poetic model that inspired it. This situation is at its most extreme in certain rondeaux, representatives of a genre for which a special function in...
Autor Principal: | Maw, D |
---|---|
Formato: | Journal article |
Idioma: | English |
Publicado: |
Cambridge University Press
2020
|
Títulos similares
-
The mimetic basis of pure music in Machaut's refrain songs: part 1, musical mimesis
por: Maw, D
Publicado: (2020) -
Music and verbal meaning: Machaut's polytextual songs
por: Leach, E
Publicado: (2010) -
Post-Première revision: Guillaume de Machaut and written music in the late Middle Ages
por: Maw, D
Publicado: (2022) -
The polyphonies of function: Guillaume de Machaut and the performance of text and music
por: Smilansky, U
Publicado: (2021) -
Meter and Word Setting: Revising Machaut's Monophonic Virelais
por: David Maw
Publicado: (2002-09-01)