'Misery in the moorlands': lived bodies in the Landes de Gascogne, 1870-1914
<p>This thesis explores the embodied experiences of the rural population in nineteenth-century France. The prevailing historiography has treated rural bodily culture as a cultural survival swept away by ‘modernisation’ in the nineteenth century. By turning to the lives and words of rural labou...
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| Format: | Thesis |
| Language: | English |
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2014
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| _version_ | 1826311760326426624 |
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| author | Pooley, WG |
| author2 | Hopkin, D |
| author_facet | Hopkin, D Pooley, WG |
| author_sort | Pooley, WG |
| collection | OXFORD |
| description | <p>This thesis explores the embodied experiences of the rural population in nineteenth-century France. The prevailing historiography has treated rural bodily culture as a cultural survival swept away by ‘modernisation’ in the nineteenth century. By turning to the lives and words of rural labourers and artisans from the Landes de Gascogne, the thesis questions this account, instead showing ways that popular cultures of the body were flexible traditions, adapted by individuals to meet new needs. It does so through a close focus on the stories, songs, and other oral traditions collected by Félix Arnaudin (1844-1921) in the Grande-Lande between around 1870 and 1914. The thesis focuses on the lives of a few of Arnaudin’s 759 folklore informants, showing both how their bodily experiences were changing during this period, and how songs and stories were creative interventions, designed to shape bodily possibilities from below.</p> <p>The thesis draws attention to the surprising shape of rural experiences of the body, which focused on body parts such as the legs and skin for reasons specific to everyday life, while largely ignoring issues that historians might have assumed would be important, such as religion. It argues that the ordinary men and women who performed stories and sang songs were active agents in constructing their own bodies in response to material conditions of physical illness and disability, as well as a changing environment, changing class relations, or changing sexual norms in the Grande-Lande. The thesis presents an emotional and experiential view of rural bodies with a sensitivity to the different experiences of men and women, young and old, poorer and richer, but emphasizes that the body must be seen in the round, as a unifying concern that links together issues of social class, environmental change, sexual relations, work, disability, and religion.</p> |
| first_indexed | 2024-03-07T08:14:28Z |
| format | Thesis |
| id | oxford-uuid:aacf3b35-fc90-4a75-a24b-5193bc8f6c5e |
| institution | University of Oxford |
| language | English |
| last_indexed | 2024-03-07T08:14:28Z |
| publishDate | 2014 |
| record_format | dspace |
| spelling | oxford-uuid:aacf3b35-fc90-4a75-a24b-5193bc8f6c5e2023-12-18T10:11:19Z'Misery in the moorlands': lived bodies in the Landes de Gascogne, 1870-1914Thesishttp://purl.org/coar/resource_type/c_db06uuid:aacf3b35-fc90-4a75-a24b-5193bc8f6c5eModern Britain and EuropeFrenchLiteratures of Romance languagesOccitanEnglishOxford University Research Archive - Valet2014Pooley, WGHopkin, D<p>This thesis explores the embodied experiences of the rural population in nineteenth-century France. The prevailing historiography has treated rural bodily culture as a cultural survival swept away by ‘modernisation’ in the nineteenth century. By turning to the lives and words of rural labourers and artisans from the Landes de Gascogne, the thesis questions this account, instead showing ways that popular cultures of the body were flexible traditions, adapted by individuals to meet new needs. It does so through a close focus on the stories, songs, and other oral traditions collected by Félix Arnaudin (1844-1921) in the Grande-Lande between around 1870 and 1914. The thesis focuses on the lives of a few of Arnaudin’s 759 folklore informants, showing both how their bodily experiences were changing during this period, and how songs and stories were creative interventions, designed to shape bodily possibilities from below.</p> <p>The thesis draws attention to the surprising shape of rural experiences of the body, which focused on body parts such as the legs and skin for reasons specific to everyday life, while largely ignoring issues that historians might have assumed would be important, such as religion. It argues that the ordinary men and women who performed stories and sang songs were active agents in constructing their own bodies in response to material conditions of physical illness and disability, as well as a changing environment, changing class relations, or changing sexual norms in the Grande-Lande. The thesis presents an emotional and experiential view of rural bodies with a sensitivity to the different experiences of men and women, young and old, poorer and richer, but emphasizes that the body must be seen in the round, as a unifying concern that links together issues of social class, environmental change, sexual relations, work, disability, and religion.</p> |
| spellingShingle | Modern Britain and Europe French Literatures of Romance languages Occitan Pooley, WG 'Misery in the moorlands': lived bodies in the Landes de Gascogne, 1870-1914 |
| title | 'Misery in the moorlands': lived bodies in the Landes de Gascogne, 1870-1914 |
| title_full | 'Misery in the moorlands': lived bodies in the Landes de Gascogne, 1870-1914 |
| title_fullStr | 'Misery in the moorlands': lived bodies in the Landes de Gascogne, 1870-1914 |
| title_full_unstemmed | 'Misery in the moorlands': lived bodies in the Landes de Gascogne, 1870-1914 |
| title_short | 'Misery in the moorlands': lived bodies in the Landes de Gascogne, 1870-1914 |
| title_sort | misery in the moorlands lived bodies in the landes de gascogne 1870 1914 |
| topic | Modern Britain and Europe French Literatures of Romance languages Occitan |
| work_keys_str_mv | AT pooleywg miseryinthemoorlandslivedbodiesinthelandesdegascogne18701914 |