| Resumo: | <br/>Medievalism – the appropriation of elements of medieval culture – has a long history: every century since the sixteenth has remade the Middle Ages in its own image. But different generations look back to the medieval period for different reasons, and each successive generation finds a different ‘Middle Ages’, a Middle Ages that says more about that generation’s own aspirations and anxieties than it does about the medieval period itself.<br/>What does eighteenth-century medievalism tell us about France at the end of the <i>Ancien régime</i>? The cliché is well known: in Enlightenment France, the Middle Ages – those ‘temps grossiers’ dividing Classical times from the Renaissance – were universally despised as a dark age of bigotry and barbarism. But historical clichés are often the result of reading the past backwards. Relegated to the dust-heap of history by Enlightenment intellectuals, the Middle Ages in fact held a remarkable attraction for readers and audiences of the time. This wide-ranging book charts some aspects of the surprisingly broad influence of medievalism on the scholarship and popular culture of eighteenth-century France. <br/><br/> List of illustrations<br/> Peter Damian-Grint, Introduction: Popular medievalism and nostalgia<br/> Angus Martin, ‘Les amours du bon vieux temps’: medieval themes in French prose fiction, 1700-1750<br/> Katherine Astbury, Masculinity and medievalism in the tales of Baculard d’Arnaud<br/> Lise Andries, La <em>Bibliothèque bleue</em> et la redécouverte des romans de chevalerie au dix-huitième siècle<br/> Jean-Paul Sermain, Le conte de fées classique et le Moyen Age (1690-1712)<br/> Maria Colombo Timelli, Les <em>Mémoires</em> d’Olivier de La Marche dans les <em>Mélanges</em> du marquis de Paulmy<br/> Peter Damian-Grint, From <em>Trésor de recherches</em> to <em>Vocabulaire austrasien</em>: Old French dictionaries in France, 1655-1777<br/> Manuel Couvreur, D’<em>Aucassin et Nicolette</em> au <em>Chevalier du soleil</em>: Grétry, Philidor et le roman en romances<br/> John Dunkley, Medieval heroes in Enlightenment disguises: figures from Voltaire and Belloy<br/> Martin Nadeau, ‘Gothic’ kingship on stage in Revolutionary France<br/> Albert M. Debrunner, Citizen Tell: Swiss national hero in eighteenth-century France<br/> François Pupil, L’influence des thèmes médiévaux sur les arts graphiques<br/> Nicholas Cronk, Les ‘Mémoires sur les fabliaux’ de Caylus<br/> Roger Middleton, Chrétien de Troyes at auction: Nicolas-Joseph Foucault and other eighteenth-century collectors<br/> Elisabeth Lavezzi, Le statut du gothique dans le <em>Mémoire sur l’architecture gothique</em> de J. G. Soufflot<br/> Jenny Graham, The ‘manière Gottique’: Jean-Baptiste Descamps and the revival of early Netherlandish art in eighteenth-century France<br/> Ursula Haskins Gonthier, Montesquieu’s <em>De la manière gothique, or Considérations sur les causes de la grandeur des arts et de leur décadence</em><br/> Xavier Bisaro <em>et</em> Philippe Vendrix, La musique du Moyen Age au siècle des Lumières: érudition et redécouvertes et interprétations <br/> Summaries<br/> List of works cited<br/> Index<br/>
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