Censoring the unseen: revolution and the aesthetics of theatrical space
How might attention to the mechanisms of stage licensing help us to think specifically about the politics and aesthetics of on- and off-stage space in eighteenth-century drama? This essay addresses this question by looking at John St. John’s The Island of St. Marguerite, a musical afterpiece first s...
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| Formáid: | Book section |
| Teanga: | English |
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Cambridge University Press
2023
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