‘Following the male gaze; Visiting the Green Room at London’s Opera House’

‘Following the male gaze; Visiting the Green Room at London’s Opera House’

The two volumes of Bernard Blackmantle’s 1826 The English Spy are part of a particular English ‘spying’ tradition, in which an observer’s eye is trained on the people and institutions of the London metropolis. Illustrated by Cruickshank, those institutions included the Opera House, more specifically...

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Bibliografiske detaljer
Hovedforfatter:	Burden, M
Format:	Journal article
Sprog:	English
Udgivet:	2012
Fag:	19th Century music 18th Century music Opera Performance

Lignende værker

The Opera House on the London stage
af: Burden, M
Udgivet: (2010)

Rehearsing an opera in Georgian London
af: Burden, M
Udgivet: (2008)

‘Play it again, Sam’: the ‘encore’ in 18th-century London opera
af: Burden, M
Udgivet: (2016)

To repeat (or not to repeat)? Dance cues in Restoration English opera
af: Burden, M
Udgivet: (2007)

Mrs Billington’s embonpoint;
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Udgivet: (2008)

Imaging Mandane: character, costume, monument
af: Burden, M
Udgivet: (2008)

Fluid texts, moving arias, shifting sands;
af: Burden, M
Udgivet: (2011)

Metastasio on the British Stage 1728-1840 a catalogue
af: Burden, M
Udgivet: (2007)

Adapting Phaëton
af: Burden, M
Udgivet: (2011)

‘”With dances analogous to the drama”;
af: Burden, M
Udgivet: (2012)

Opera and nationalism in mid-eighteenth-century Britain
af: Aspden, S, et al.
Udgivet: (1999)

Adventures of Portuguese 'ancient music' in Oxford, London and Paris: Duarte Lobo's 'Liber missarum' and musical antiquarianism, 1650-1850
af: Rees, O
Udgivet: (2005)

Eating and the theatre
af: Burden, M
Udgivet: (2004)

My encounter with Walter N. Harding
af: Burden, M
Udgivet: (2012)

The Use of the Harmonium in Opera
af: Ádám Sándor FAZAKAS
Udgivet: (2024-06-01)

AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY
af: Luminiţa GUŢANU
Udgivet: (2011-06-01)

Hermann Levi's shame and Parsifal's guilt: a critique of essentialism in biography and criticism
af: Dreyfus, L
Udgivet: (1994)

Tumbling images: Carlo Antonio Delpini at work
af: Burden, M
Udgivet: (2014)

Music and drama at the Académie royale de musique (Paris), 1774-1789
af: Rushton, J, et al.
Udgivet: (1969)

Intertextuality, exegesis, and composition in polytextual motets around 1500
af: Kolb, P
Udgivet: (2013)

The symphonies of Charles Villiers Stanford: constructing a national identity?
af: White, J, et al.
Udgivet: (2014)

'Flippant dolls' and 'serious artists': professional female singers in Britain, c.1760-1850
af: Kennerley, DT
Udgivet: (2013)

Die Figuralmusik in Hrabyně um die Wende des 19. Jahrhunderts – Hrabiner Inventare
af: Helena Kramářová
Udgivet: (2016-12-01)

«L’illusion de cette musique me charme pour des moments»: teatro e musica nelle lettere di Maria Carolina alla figlia Maria Teresa
af: Francesco Cotticelli
Udgivet: (2018-11-01)

Early twentieth-century discourses of violin playing
af: Knapik, S
Udgivet: (2011)

Napoleon and British popular song, 1797-1822
af: Cox Jensen, O
Udgivet: (2014)

“JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE
af: Mónika IVÁNYI-PAPP
Udgivet: (2014-06-01)

REGIETHEATER – THE BIG CHALLENGE FOR THE OPERA OF OUR TIMES
af: Cristina RADU-GIURGIU
Udgivet: (2021-12-01)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
af: Stokes, M
Udgivet: (2006)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
af: Stokes, M
Udgivet: (2006)

The impact of recording on listening
af: Clarke, E
Udgivet: (2007)

Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries
af: Ballantyne, AL
Udgivet: (2014)

Pyramus and Thisbe: Myth in music on the 18th-century French stage
af: Marianna Consiglia Vercellini
Udgivet: (2016-06-01)

“Une partie essentielle du spectacle”. Il ballo nelle feste teatrali torinesi del secondo Settecento
af: Annarita Colturato
Udgivet: (2020-06-01)

Boxholders at the Opera: Identity and Functions at the Theatres of the ex-Serenissima
af: Cristina Scuderi
Udgivet: (2023-07-01)

Performing a political shift: avant-garde music in Cold War Spain
af: Sacau-Ferreira, E
Udgivet: (2011)

‘Aptlie framed for the dittie’: a study of setting sacred Latin texts to music in sixteenth-century England
af: Ku, CJS
Udgivet: (2014)

Construyendo la ópera nacional: A Marília de Itamaracá de L. V. De-Simoni
af: Paulo M. Kühl
Udgivet: (2016-11-01)

Agency, physicality, space: analytical approaches to contemporary Nordic concertos
af: Munk, J
Udgivet: (2011)

Portfolio of compositions and critical writing
af: Garrard, C
Udgivet: (2013)