System, gesture, rhetoric: contexts for rethinking tintinnabuli in the music of Arvo Pärt, 1960-1990
<p>This thesis addresses critical strategies that have been used, or might be used, to approach Pärt's tintinnabuli music. It has three main objectives: to question prevalent narratives drawn around the tintinnabuli concept, to suggest interpretative frameworks that could yield fresh insi...
Main Author: | May, CJ |
---|---|
Other Authors: | Grimley, D |
Format: | Thesis |
Language: | English |
Published: |
2016
|
Subjects: |
Similar Items
-
ARVO PÄRT’S MUSIC: FACETS OF THE TINTINNABULI TECHNIQUE
by: Alexandra BELIBOU
Published: (2020-12-01) -
Veni Creator for Choir and Organ by Arvo Pärt. The Stylistic and Interpretative Analysis – Conductor’s Guide
by: Dragoș-Mihai COHAL
Published: (2024-12-01) -
Da Pacem Domine by Arvo Pärt. The Stylistic and Interpretative Analysis – Conductor’s Guide
by: Dragoș-Mihai COHAL
Published: (2024-07-01) -
Affects of chaos: Rhetorical pathos and the epistemology of musical discourse
by: Teixeira William, et al.
Published: (2018-01-01) -
Gesture as a metaphorical process: an exploration through musical composition
by: Sara Carvalho
Published: (2017-04-01)