Five fundamental constraints on theories of the origins of music
The diverse forms and functions of human music place obstacles in the way of an evolutionary reconstruction of its origins. In the absence of any obvious homologues of human music among our closest primate relatives, theorizing about its origins, in order to make progress, needs constraints from the...
Main Authors: | Merker, B, Morley, I, Zuidema, W |
---|---|
Format: | Journal article |
Published: |
Royal Society
2015
|
Similar Items
-
Empirical constraints on the evolutionary origins of music
by: McDermott, Joshua H. (Joshua Hartman)
Published: (2007) -
The evolution of music: Theories, definitions and the nature of the evidence
by: Ian, C, et al.
Published: (2010) -
A multi-disciplinary approach to the origins of music: perspectives from anthropology, archaeology, cognition and behaviour
by: Morley, I
Published: (2014) -
The Five Focusing Steps of the Theory of Constraints: Problems of Application in Strategic Analysis
by: I. A. Nechitaylo
Published: (2020-08-01) -
Fundamentals of theory and methodology for the study of the transformation of systems of various origins
by: Yuryi I. Pryкhodko
Published: (2022-02-01)