The insular landscape of the Old English poem The Phoenix

The opening section of the Old English poem The Phoenix derives from a fourth-century Latin poem, Carmen de ave phoenice, which is usually attributed to Lactantius. It is well known that The Phoenix Christianises and substantially enlarges upon descriptive details derived from its Latin source, but...

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Main Author: Appleton, H
Format: Journal article
Published: Springer Netherlands 2017
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author Appleton, H
author_facet Appleton, H
author_sort Appleton, H
collection OXFORD
description The opening section of the Old English poem The Phoenix derives from a fourth-century Latin poem, Carmen de ave phoenice, which is usually attributed to Lactantius. It is well known that The Phoenix Christianises and substantially enlarges upon descriptive details derived from its Latin source, but little detailed work has been done on how this actually takes place. The poet of The Phoenix’s expansions have been dismissed as prolix, yet when examined in light of similar passages elsewhere in the corpus of Old English literature, these additions can be seen to introduce images of particular resonance. This essay will focus on the landscape of the poem’s opening to argue for the Anglo-Saxon poet’s introduction of a distinctively insular spatial imaginaire to the setting inherited from the Latin source material. This insular imaginaire is in keeping with general trends in Anglo-Saxon literary culture, and ensures the resonance of The Phoenix’s resurrection allegory with its Anglo-Saxon audience.
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spelling oxford-uuid:bb1d67cd-2a68-4792-b95c-37bd90bd6b0b2022-03-27T05:14:43ZThe insular landscape of the Old English poem The PhoenixJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:bb1d67cd-2a68-4792-b95c-37bd90bd6b0bSymplectic Elements at OxfordSpringer Netherlands2017Appleton, HThe opening section of the Old English poem The Phoenix derives from a fourth-century Latin poem, Carmen de ave phoenice, which is usually attributed to Lactantius. It is well known that The Phoenix Christianises and substantially enlarges upon descriptive details derived from its Latin source, but little detailed work has been done on how this actually takes place. The poet of The Phoenix’s expansions have been dismissed as prolix, yet when examined in light of similar passages elsewhere in the corpus of Old English literature, these additions can be seen to introduce images of particular resonance. This essay will focus on the landscape of the poem’s opening to argue for the Anglo-Saxon poet’s introduction of a distinctively insular spatial imaginaire to the setting inherited from the Latin source material. This insular imaginaire is in keeping with general trends in Anglo-Saxon literary culture, and ensures the resonance of The Phoenix’s resurrection allegory with its Anglo-Saxon audience.
spellingShingle Appleton, H
The insular landscape of the Old English poem The Phoenix
title The insular landscape of the Old English poem The Phoenix
title_full The insular landscape of the Old English poem The Phoenix
title_fullStr The insular landscape of the Old English poem The Phoenix
title_full_unstemmed The insular landscape of the Old English poem The Phoenix
title_short The insular landscape of the Old English poem The Phoenix
title_sort insular landscape of the old english poem the phoenix
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