Shakespearean arrivals: the irruption of character
<p>This thesis re-examines Shakespeare’s creation of tragic character through the concept of ‘arrivals’. What arrives is not an ‘individual’ but what I call a ‘subject’, which is a diffused dramatic process of arriving, rather than a self-contained entity that arrives in a final form. Not all...
Príomhchruthaitheoir: | Luke, N |
---|---|
Rannpháirtithe: | Palfrey, S |
Formáid: | Tráchtas |
Teanga: | English |
Foilsithe / Cruthaithe: |
2011
|
Ábhair: |
Míreanna comhchosúla
-
Author v. character in early modern dramatic authorship: the example of Thomas Kyd and The Spanish Tragedy
de réir: Smith, E
Foilsithe / Cruthaithe: (1998) -
Familiar collaboration and women writers in eighteenth-century Britain: Elizabeth Griffith, Sarah Fielding and Susannah and Margaret Minifie
de réir: McVitty, D
Foilsithe / Cruthaithe: (2007) -
‘So much English by the Mother’: gender, foreigners and the mother tongue in William Haughton’s Englishmen for My Money (1598)
de réir: Smith, E
Foilsithe / Cruthaithe: (2001) -
Women and the framed-novelle sequence in eighteenth-century England: clothing instruction with delight
de réir: Rozell, C
Foilsithe / Cruthaithe: (2012) -
British responses to Du Bartas' Semaines, 1584-1641
de réir: Auger, P
Foilsithe / Cruthaithe: (2012)