Lucy, Lucia, and Locke
<p>Madness may remain silent in fiction, but not in opera. In giving voice to the madness of Lucia in Donizetti’s <em>Lucia di Lammermoor</em>, his adaptation of Scott’s <em>The Bride of Lammermoor</em>, librettist Salvadore Cammarano departs not only from the novel’s c...
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| Format: | Journal article |
| Language: | English |
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Erudit
2004
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