The performed Dao: understanding the Zhuangzi with the literary form approach

This thesis adopts the literary form approach to the analysis of the Zhuangzi. I argue that the literary forms deployed in the Zhuangzi are not neutral and empty but philosophically meaningful. The leading question dealt in the thesis is how form and content are connected in the Zhuangzi. On the mac...

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Bibliographic Details
Main Author: Kwong, C-M
Other Authors: Meyer, D
Format: Thesis
Language:English
Published: 2023
Subjects:
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author Kwong, C-M
author2 Meyer, D
author_facet Meyer, D
Kwong, C-M
author_sort Kwong, C-M
collection OXFORD
description This thesis adopts the literary form approach to the analysis of the Zhuangzi. I argue that the literary forms deployed in the Zhuangzi are not neutral and empty but philosophically meaningful. The leading question dealt in the thesis is how form and content are connected in the Zhuangzi. On the macro level, I provide a characterisation for the methodology to which I refer as the relaxed literary form approach. It is a modified version of the past literary form approach. On the micro level, I study the forms—including narrative, irony, and paradox—in detail, showing how these forms contribute to the meaning construction of the Zhuangzi. I argue that the form of narrative is to construct the “constellation of perspectives”; the form of irony is to bring about the experience of uncertainty and not-knowing; the form of paradox is to put the text in an ever-drifting dynamic. This investigation leads to a fundamental reconceptualisation of the Zhuangzi and the dao: instead of being represented the dao is performed in the text, and thus the Zhuangzi is a dao-performance.
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spelling oxford-uuid:bdd4989c-2fb1-4da5-af5b-fbfcd24dd63f2023-05-24T08:25:12ZThe performed Dao: understanding the Zhuangzi with the literary form approachThesishttp://purl.org/coar/resource_type/c_db06uuid:bdd4989c-2fb1-4da5-af5b-fbfcd24dd63fComparative PhilosophyChinese PhilosophyEnglishHyrax Deposit2023Kwong, C-MMeyer, DThis thesis adopts the literary form approach to the analysis of the Zhuangzi. I argue that the literary forms deployed in the Zhuangzi are not neutral and empty but philosophically meaningful. The leading question dealt in the thesis is how form and content are connected in the Zhuangzi. On the macro level, I provide a characterisation for the methodology to which I refer as the relaxed literary form approach. It is a modified version of the past literary form approach. On the micro level, I study the forms—including narrative, irony, and paradox—in detail, showing how these forms contribute to the meaning construction of the Zhuangzi. I argue that the form of narrative is to construct the “constellation of perspectives”; the form of irony is to bring about the experience of uncertainty and not-knowing; the form of paradox is to put the text in an ever-drifting dynamic. This investigation leads to a fundamental reconceptualisation of the Zhuangzi and the dao: instead of being represented the dao is performed in the text, and thus the Zhuangzi is a dao-performance.
spellingShingle Comparative Philosophy
Chinese Philosophy
Kwong, C-M
The performed Dao: understanding the Zhuangzi with the literary form approach
title The performed Dao: understanding the Zhuangzi with the literary form approach
title_full The performed Dao: understanding the Zhuangzi with the literary form approach
title_fullStr The performed Dao: understanding the Zhuangzi with the literary form approach
title_full_unstemmed The performed Dao: understanding the Zhuangzi with the literary form approach
title_short The performed Dao: understanding the Zhuangzi with the literary form approach
title_sort performed dao understanding the zhuangzi with the literary form approach
topic Comparative Philosophy
Chinese Philosophy
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AT kwongcm performeddaounderstandingthezhuangziwiththeliteraryformapproach