Dramatic battles in eighteenth-century France

The mid-eighteenth century witnessed a particularly intense conflict between the Enlightenment <em>philosophes</em> and their enemies, when intellectual and political confrontation became inseparable from a battle for public opinion. Logan J. Connors underscores the essential role that t...

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Main Author: Connors, L
Format: Book
Language:English
Published: Voltaire Foundation 2017
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author Connors, L
author_facet Connors, L
author_sort Connors, L
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description The mid-eighteenth century witnessed a particularly intense conflict between the Enlightenment <em>philosophes</em> and their enemies, when intellectual and political confrontation became inseparable from a battle for public opinion. Logan J. Connors underscores the essential role that theatre played in these disputes. <br/> This is a fascinating and detailed study of the dramatic arm of France’s war of ideas in which the author examines how playwrights sought to win public support by controlling every aspect of theatrical production – from advertisements, to performances, to criticism. An expanding theatre-going public was recognised as both a force of influence and a force worth influencing. <br/> By analysing the most indicative examples of France’s polemical theatre of the period, <em>Les Philosophes</em> by Charles Palissot (1760) and Voltaire’s <em>Le Café ou L’Ecossaise</em> (1760), Connors explores the emergence of spectators as active agents in French society, and shows how theatre achieved an unrivalled status as a cultural weapon on the eve of the French Revolution. Adopting a holistic approach, Connors provides an original view of how theatre productions ‘worked’ under the <em>ancien régime</em>, and discusses how a specific polemical atmosphere in the eighteenth century gave rise to modern notions of reception and spectatorship. <br/><br/> Acknowledgements<br/> List of illustrations<br/> Introduction: decision makers, <em>doctes</em> and theatre<br/> 1. Culture wars: <em>philosphes</em> and anti-<em>philosophes</em> in eighteenth-century France<br/> 2. The anatomy of a crime: polemics, pamphlets and preconditioning<br/> 3. A critical performance: <em>Les Philosophes</em> hits the boards<br/> 4. Parterre and balcony, spectator and reader: Palissot’s dramaturgical strategies<br/> 5. Pamphlets on the stage: Voltaire’s <em>riposte philosophique</em><br/> 6. Spectators or readers? Voltaire’s ‘public’ concerns in <em>L’Ecossaise</em><br/> 7. The affair continues: critical uncertainty in eighteenth-century France<br/> 8. (Re)Creating the event: performance criticism as intellectual war<br/> 9. Following the event: new definitions of theatre and criticism<br/> 10. Aftermath: theatre and polemics in pre-Revolutionary France<br/> Conclusion: <em>le cri public</em><br/> Bibliography<br/> Index<br/>
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spelling oxford-uuid:c2362ea0-9776-439e-aae9-f57ff322fdc62022-03-27T06:07:19ZDramatic battles in eighteenth-century FranceBookhttp://purl.org/coar/resource_type/c_2f33uuid:c2362ea0-9776-439e-aae9-f57ff322fdc6EnglishVoltaire FoundationVoltaire Foundation2017Connors, LThe mid-eighteenth century witnessed a particularly intense conflict between the Enlightenment <em>philosophes</em> and their enemies, when intellectual and political confrontation became inseparable from a battle for public opinion. Logan J. Connors underscores the essential role that theatre played in these disputes. <br/> This is a fascinating and detailed study of the dramatic arm of France’s war of ideas in which the author examines how playwrights sought to win public support by controlling every aspect of theatrical production – from advertisements, to performances, to criticism. An expanding theatre-going public was recognised as both a force of influence and a force worth influencing. <br/> By analysing the most indicative examples of France’s polemical theatre of the period, <em>Les Philosophes</em> by Charles Palissot (1760) and Voltaire’s <em>Le Café ou L’Ecossaise</em> (1760), Connors explores the emergence of spectators as active agents in French society, and shows how theatre achieved an unrivalled status as a cultural weapon on the eve of the French Revolution. Adopting a holistic approach, Connors provides an original view of how theatre productions ‘worked’ under the <em>ancien régime</em>, and discusses how a specific polemical atmosphere in the eighteenth century gave rise to modern notions of reception and spectatorship. <br/><br/> Acknowledgements<br/> List of illustrations<br/> Introduction: decision makers, <em>doctes</em> and theatre<br/> 1. Culture wars: <em>philosphes</em> and anti-<em>philosophes</em> in eighteenth-century France<br/> 2. The anatomy of a crime: polemics, pamphlets and preconditioning<br/> 3. A critical performance: <em>Les Philosophes</em> hits the boards<br/> 4. Parterre and balcony, spectator and reader: Palissot’s dramaturgical strategies<br/> 5. Pamphlets on the stage: Voltaire’s <em>riposte philosophique</em><br/> 6. Spectators or readers? Voltaire’s ‘public’ concerns in <em>L’Ecossaise</em><br/> 7. The affair continues: critical uncertainty in eighteenth-century France<br/> 8. (Re)Creating the event: performance criticism as intellectual war<br/> 9. Following the event: new definitions of theatre and criticism<br/> 10. Aftermath: theatre and polemics in pre-Revolutionary France<br/> Conclusion: <em>le cri public</em><br/> Bibliography<br/> Index<br/>
spellingShingle Connors, L
Dramatic battles in eighteenth-century France
title Dramatic battles in eighteenth-century France
title_full Dramatic battles in eighteenth-century France
title_fullStr Dramatic battles in eighteenth-century France
title_full_unstemmed Dramatic battles in eighteenth-century France
title_short Dramatic battles in eighteenth-century France
title_sort dramatic battles in eighteenth century france
work_keys_str_mv AT connorsl dramaticbattlesineighteenthcenturyfrance