'Cloth, cull and cocktail: anatomising the performer body of "Alba"'
Where and how can the live experience 'being there' be positioned in Scottish live art culture? Such transformatively liminal corporeity is situated in three examples of performative objects intrinsically linked to readings of Scottish identity. By collating a 'blood culture imprint&#...
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| Format: | Thesis |
| Language: | English |
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2012
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