Villa rustica, villa suburbana: Vernacular Italianate architecture in Britain, 1800-1860

<p>This thesis examines the emergence and evolution of the Vernacular Italianate style of domestic architecture in Britain. The style was introduced in the form of a series of three country houses by John Nash in the first decade of the nineteenth century. It subsequently evolved over the next...

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Bibliographische Detailangaben
1. Verfasser: Yallop, R
Weitere Verfasser: Tyack, G
Format: Abschlussarbeit
Sprache:English
Veröffentlicht: 2017
Schlagworte:
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author Yallop, R
author2 Tyack, G
author_facet Tyack, G
Yallop, R
author_sort Yallop, R
collection OXFORD
description <p>This thesis examines the emergence and evolution of the Vernacular Italianate style of domestic architecture in Britain. The style was introduced in the form of a series of three country houses by John Nash in the first decade of the nineteenth century. It subsequently evolved over the next five decades into a popular template for the modest suburban house, widely disseminated through the medium of the architectural pattern books. The thesis considers the intellectual sources and antecedents which led to the emergence of this style and influenced its characteristics, analyses Nash's particular vision, and explores how the style was able to make a successful transition from <em>villa rustica</em> to <em>villa suburbana</em>, responding to the social and economic pressures which were at play in the expanding towns of the Regency and early Victorian era. It is a style which has been the subject of limited academic study to date, and the extent and significance of its role as a model villa for the new suburb is a theme which has been central to this research. A case is put forward that the style proliferated for two principal reasons: its versatility and adaptability for houses of differing physical scale and location, and its informal charm, inexpensively achieved, which conferred an air of sophistication appropriate to contemporary social aspiration. Nevertheless, as its popularity and accessibility grew over time the intellectual and aesthetic basis which underlay its origins as a product of the Picturesque aesthetic tended to be misunderstood or overlooked entirely, and by the 1860s the style had become diluted, frequently reduced to a matter of exterior detailing, with little reference either to Picturesque composition or to relationship between house and landscape, in contradiction of the tenets of Picturesque architecture propounded in the late eighteenth century, and in complete antithesis to the approach of John Nash in his original and distinctive Italianate interpretation.</p>
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spelling oxford-uuid:d391fc9b-a7c8-4d57-9f7d-751b869cecaf2022-03-27T08:12:10ZVilla rustica, villa suburbana: Vernacular Italianate architecture in Britain, 1800-1860Thesishttp://purl.org/coar/resource_type/c_db06uuid:d391fc9b-a7c8-4d57-9f7d-751b869cecafArchitectural HistoryUrban HistoryEnglishORA Deposit2017Yallop, RTyack, G<p>This thesis examines the emergence and evolution of the Vernacular Italianate style of domestic architecture in Britain. The style was introduced in the form of a series of three country houses by John Nash in the first decade of the nineteenth century. It subsequently evolved over the next five decades into a popular template for the modest suburban house, widely disseminated through the medium of the architectural pattern books. The thesis considers the intellectual sources and antecedents which led to the emergence of this style and influenced its characteristics, analyses Nash's particular vision, and explores how the style was able to make a successful transition from <em>villa rustica</em> to <em>villa suburbana</em>, responding to the social and economic pressures which were at play in the expanding towns of the Regency and early Victorian era. It is a style which has been the subject of limited academic study to date, and the extent and significance of its role as a model villa for the new suburb is a theme which has been central to this research. A case is put forward that the style proliferated for two principal reasons: its versatility and adaptability for houses of differing physical scale and location, and its informal charm, inexpensively achieved, which conferred an air of sophistication appropriate to contemporary social aspiration. Nevertheless, as its popularity and accessibility grew over time the intellectual and aesthetic basis which underlay its origins as a product of the Picturesque aesthetic tended to be misunderstood or overlooked entirely, and by the 1860s the style had become diluted, frequently reduced to a matter of exterior detailing, with little reference either to Picturesque composition or to relationship between house and landscape, in contradiction of the tenets of Picturesque architecture propounded in the late eighteenth century, and in complete antithesis to the approach of John Nash in his original and distinctive Italianate interpretation.</p>
spellingShingle Architectural History
Urban History
Yallop, R
Villa rustica, villa suburbana: Vernacular Italianate architecture in Britain, 1800-1860
title Villa rustica, villa suburbana: Vernacular Italianate architecture in Britain, 1800-1860
title_full Villa rustica, villa suburbana: Vernacular Italianate architecture in Britain, 1800-1860
title_fullStr Villa rustica, villa suburbana: Vernacular Italianate architecture in Britain, 1800-1860
title_full_unstemmed Villa rustica, villa suburbana: Vernacular Italianate architecture in Britain, 1800-1860
title_short Villa rustica, villa suburbana: Vernacular Italianate architecture in Britain, 1800-1860
title_sort villa rustica villa suburbana vernacular italianate architecture in britain 1800 1860
topic Architectural History
Urban History
work_keys_str_mv AT yallopr villarusticavillasuburbanavernacularitalianatearchitectureinbritain18001860