Odysseus the Roman: imperial temporality and the Posthomerica

This chapter offers a reformulation of the quaestio Latina for Quintus of Smyrna’s Posthomerica, centred on the contentious issue of the poem’s level of engagement with Vergil’s Aeneid. Using a re-reading of two key passages of potential Vergilian intertextuality — Calchas’ prophecy about the future...

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Príomhchruthaitheoir: Greensmith, EM
Rannpháirtithe: Carvounus, K
Formáid: Book section
Teanga:English
Foilsithe / Cruthaithe: De Gruyter 2022
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author Greensmith, EM
author2 Carvounus, K
author_facet Carvounus, K
Greensmith, EM
author_sort Greensmith, EM
collection OXFORD
description This chapter offers a reformulation of the quaestio Latina for Quintus of Smyrna’s Posthomerica, centred on the contentious issue of the poem’s level of engagement with Vergil’s Aeneid. Using a re-reading of two key passages of potential Vergilian intertextuality — Calchas’ prophecy about the future glory of Rome (PH 13.333–399), and the invention of the testudo battle formation (PH 11.358–396) — I argue that Quintus’ silence with regard to the Aeneid is a sign of deliberate distancing, which sheds light on the broader cultural poetics of his work. By delicately evoking in these episodes not Vergil’s Aeneid but rather Homer’s Odyssey, Quintus, I suggest, co-opts features of Vergilian epic and reabsorbs them into a Homeric dominant model. Through this process, Greek and Roman poetics, plots, and aetiologies are combined and synchronised, in a positive statement of Quintus’ position as a Homerising poet composing under Roman rule.
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spelling oxford-uuid:d3d64c78-0a08-4175-bb6d-f32b1f66554f2023-11-07T08:39:59ZOdysseus the Roman: imperial temporality and the PosthomericaBook sectionhttp://purl.org/coar/resource_type/c_1843uuid:d3d64c78-0a08-4175-bb6d-f32b1f66554fEnglishSymplectic ElementsDe Gruyter2022Greensmith, EMCarvounus, KPapaioannou, SScafoglio, GThis chapter offers a reformulation of the quaestio Latina for Quintus of Smyrna’s Posthomerica, centred on the contentious issue of the poem’s level of engagement with Vergil’s Aeneid. Using a re-reading of two key passages of potential Vergilian intertextuality — Calchas’ prophecy about the future glory of Rome (PH 13.333–399), and the invention of the testudo battle formation (PH 11.358–396) — I argue that Quintus’ silence with regard to the Aeneid is a sign of deliberate distancing, which sheds light on the broader cultural poetics of his work. By delicately evoking in these episodes not Vergil’s Aeneid but rather Homer’s Odyssey, Quintus, I suggest, co-opts features of Vergilian epic and reabsorbs them into a Homeric dominant model. Through this process, Greek and Roman poetics, plots, and aetiologies are combined and synchronised, in a positive statement of Quintus’ position as a Homerising poet composing under Roman rule.
spellingShingle Greensmith, EM
Odysseus the Roman: imperial temporality and the Posthomerica
title Odysseus the Roman: imperial temporality and the Posthomerica
title_full Odysseus the Roman: imperial temporality and the Posthomerica
title_fullStr Odysseus the Roman: imperial temporality and the Posthomerica
title_full_unstemmed Odysseus the Roman: imperial temporality and the Posthomerica
title_short Odysseus the Roman: imperial temporality and the Posthomerica
title_sort odysseus the roman imperial temporality and the posthomerica
work_keys_str_mv AT greensmithem odysseustheromanimperialtemporalityandtheposthomerica