Adapting Phaëton

Adapting Phaëton

<p>London's opera season of 1746-47 must have seemed strange to the audience at the opera house. Under the direction of an unknown Spanish composer Domingo Terradellas, it consisted of only four operas: the pasticcio Anibale in Capua (a version said to be Terradellas's work), the com...

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Bibliografiske detaljer
Hovedforfatter:	Burden, M
Andre forfattere:	American Society for Eighteenth-Century Studies
Format:	Conference item
Sprog:	English
Udgivet:	2011
Fag:	Opera Performance 18th Century music

Lignende værker

The Opera House on the London stage
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‘Play it again, Sam’: the ‘encore’ in 18th-century London opera
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‘”With dances analogous to the drama”;
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Hal Langfur,The Forbidden Lands. Colonial Identity, Frontier Violence, and the Persistence of Brazil's Eastern Indians, 1750-1830, Stanford California, Stanford University Press, 2006, 408 p.
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Untimely aesthetics
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