Orchestrating musical (meta)data to better address the real-world search queries of musicologists

The dispersal of musicology's diverse array of primary and secondary sources across countless libraries and archives was once an enormous obstacle to conducting research, but this has largely been overcome by the digitisation and online publication of resources in recent years. Yet, while the r...

Full description

Bibliographic Details
Main Authors: Bretherton, D, Smith, D, mc, S, Polfreman, R, Everist, M, Brooks, J, Lambert, J
Format: Conference item
Language:English
Published: 2009
Subjects:
_version_ 1797097890122825728
author Bretherton, D
Smith, D
mc, S
Polfreman, R
Everist, M
Brooks, J
Lambert, J
author_facet Bretherton, D
Smith, D
mc, S
Polfreman, R
Everist, M
Brooks, J
Lambert, J
author_sort Bretherton, D
collection OXFORD
description The dispersal of musicology's diverse array of primary and secondary sources across countless libraries and archives was once an enormous obstacle to conducting research, but this has largely been overcome by the digitisation and online publication of resources in recent years. Yet, while the research process has undoubtedly been revolutionised, the current situation is far from perfect, as the digitisation of resources has often been accompanied by their segregation - according to media type, date of publication, subject, language, copyright holders, etc. - into a myriad of discrete online repositories, often with little thought having been given to interoperability. Given that musicological research typically cuts across such artificial divisions, this segregation of data means that accessing basic factual information or running multi-part search queries remains endlessly complicated, needlessly time consuming, and sometimes impossible. This barrier to tractability is only exacerbated by the limited capabilities of currently deployed search interfaces. There is one seemingly obvious solution to this query dilemma: enable integrated real-time querying over all the available metadata from as many sources as possible, and allow users to use that metadata to guide their queries. This solution implies that all data that could feasibly construed as useful, but which is buried in the records, is extracted in some way, and that there is an interaction approach that enables metadata to be explored effectively and allows for the formulation of rich compound queries. The musicSpace project has taken a dual approach towards realising this solution. At the back-end we are developing services to integrate and, where necessary, surface (meta)data from many of musicology's most important online resources, including the British Library Music Collections catalogue, the British Library Sound Archive catalogue, Cecilia, Copac, Grove Music Online, Naxos Music Library, Répertoire International de Littérature Musicale (RILM), and Répertoire International des Sources Musicale (RISM) UK and Ireland. While at the front-end, in order to optimise the exploration of this integrated dataset, we are developing a modern web-based faceted browsing interface that utilises Semantic Web and Web2.0 technologies such as RDF and AJAX, and which is based on the existing 'mSpace' codebase. Our poster outlines the approach we have taken to importing, enriching and integrating the metadata provided by our data partners, and gives examples of the real-world musicological research questions that musicSpace has enabled.
first_indexed 2024-03-07T05:01:46Z
format Conference item
id oxford-uuid:d88143ec-ba00-4fb8-9f88-a15b120aed1d
institution University of Oxford
language English
last_indexed 2024-03-07T05:01:46Z
publishDate 2009
record_format dspace
spelling oxford-uuid:d88143ec-ba00-4fb8-9f88-a15b120aed1d2022-03-27T08:49:17ZOrchestrating musical (meta)data to better address the real-world search queries of musicologistsConference itemhttp://purl.org/coar/resource_type/c_5794uuid:d88143ec-ba00-4fb8-9f88-a15b120aed1dMusice-ScienceEnglishOxford University Research Archive - Valet2009Bretherton, DSmith, Dmc, SPolfreman, REverist, MBrooks, JLambert, JThe dispersal of musicology's diverse array of primary and secondary sources across countless libraries and archives was once an enormous obstacle to conducting research, but this has largely been overcome by the digitisation and online publication of resources in recent years. Yet, while the research process has undoubtedly been revolutionised, the current situation is far from perfect, as the digitisation of resources has often been accompanied by their segregation - according to media type, date of publication, subject, language, copyright holders, etc. - into a myriad of discrete online repositories, often with little thought having been given to interoperability. Given that musicological research typically cuts across such artificial divisions, this segregation of data means that accessing basic factual information or running multi-part search queries remains endlessly complicated, needlessly time consuming, and sometimes impossible. This barrier to tractability is only exacerbated by the limited capabilities of currently deployed search interfaces. There is one seemingly obvious solution to this query dilemma: enable integrated real-time querying over all the available metadata from as many sources as possible, and allow users to use that metadata to guide their queries. This solution implies that all data that could feasibly construed as useful, but which is buried in the records, is extracted in some way, and that there is an interaction approach that enables metadata to be explored effectively and allows for the formulation of rich compound queries. The musicSpace project has taken a dual approach towards realising this solution. At the back-end we are developing services to integrate and, where necessary, surface (meta)data from many of musicology's most important online resources, including the British Library Music Collections catalogue, the British Library Sound Archive catalogue, Cecilia, Copac, Grove Music Online, Naxos Music Library, Répertoire International de Littérature Musicale (RILM), and Répertoire International des Sources Musicale (RISM) UK and Ireland. While at the front-end, in order to optimise the exploration of this integrated dataset, we are developing a modern web-based faceted browsing interface that utilises Semantic Web and Web2.0 technologies such as RDF and AJAX, and which is based on the existing 'mSpace' codebase. Our poster outlines the approach we have taken to importing, enriching and integrating the metadata provided by our data partners, and gives examples of the real-world musicological research questions that musicSpace has enabled.
spellingShingle Music
e-Science
Bretherton, D
Smith, D
mc, S
Polfreman, R
Everist, M
Brooks, J
Lambert, J
Orchestrating musical (meta)data to better address the real-world search queries of musicologists
title Orchestrating musical (meta)data to better address the real-world search queries of musicologists
title_full Orchestrating musical (meta)data to better address the real-world search queries of musicologists
title_fullStr Orchestrating musical (meta)data to better address the real-world search queries of musicologists
title_full_unstemmed Orchestrating musical (meta)data to better address the real-world search queries of musicologists
title_short Orchestrating musical (meta)data to better address the real-world search queries of musicologists
title_sort orchestrating musical meta data to better address the real world search queries of musicologists
topic Music
e-Science
work_keys_str_mv AT brethertond orchestratingmusicalmetadatatobetteraddresstherealworldsearchqueriesofmusicologists
AT smithd orchestratingmusicalmetadatatobetteraddresstherealworldsearchqueriesofmusicologists
AT mcs orchestratingmusicalmetadatatobetteraddresstherealworldsearchqueriesofmusicologists
AT polfremanr orchestratingmusicalmetadatatobetteraddresstherealworldsearchqueriesofmusicologists
AT everistm orchestratingmusicalmetadatatobetteraddresstherealworldsearchqueriesofmusicologists
AT brooksj orchestratingmusicalmetadatatobetteraddresstherealworldsearchqueriesofmusicologists
AT lambertj orchestratingmusicalmetadatatobetteraddresstherealworldsearchqueriesofmusicologists