Characterisation in contemporary opera and music theatre
<p>This doctoral research comprises a practitioner-based reflective enquiry to bridge the gap between theory and practice and enhance my compositional output. In tandem with the composition of my chamber opera, <em>The Exile</em>, I have undertaken research into characterisation...
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| 格式: | Thesis |
| 語言: | English |
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2016
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| 總結: | <p>This doctoral research comprises a practitioner-based reflective enquiry to bridge the gap between theory and practice and enhance my compositional output. In tandem with the composition of my chamber opera, <em>The Exile</em>, I have undertaken research into characterisation within the context of opera and musical theatre, with a focus on both the delineation of individual characters and the context in which they appear. Parameters of the work are discussed in comparison with canonic works of both opera and music theatre. Contemporary uses of leitmotif, representation of speech and folk music within operatic works are acknowledged and their influence on the composition is presented along with musical examples. The conventional composer-librettist partnership is discussed, along with suggestions for how respective roles for composer and librettist have evolved in recent times. An insight into the collaborative compositional process is presented in the final chapter, as my work with librettist Gillian Pencavel is discussed. <em>The Exile</em> is an original work informed by this research and is a contribution to the repertoire as well as an investigation into many compositional techniques presented in this thesis. </p> |
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