Martin Wong & other people

Martin Wong & Other People follows the artist Martin Wong through his time in, and depictions of, four distinct social worlds: the California counterculture during the 1960s and early ‘70s, the provincial city of Eureka during the latter 1970s, New York City during the 1980s, and a historical re...

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Autor Principal: Adler, S
Outros autores: Bull, M
Formato: Thesis
Idioma:English
Publicado: 2024
Subjects:
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author Adler, S
author2 Bull, M
author_facet Bull, M
Adler, S
author_sort Adler, S
collection OXFORD
description Martin Wong & Other People follows the artist Martin Wong through his time in, and depictions of, four distinct social worlds: the California counterculture during the 1960s and early ‘70s, the provincial city of Eureka during the latter 1970s, New York City during the 1980s, and a historical rendering of San Francisco’s Chinatown largely undertaken in the 1990s. Wong uses his art to establish new personae that enabled integration into each setting while also accentuating the ways in which he remained an outsider. That Wong was a gay Chinese American living in a time of significant discrimination might suggest that the barriers to belonging were imposed from without, and this is always pertinent. However, the artist also exercised social and material power within the minoritarian worlds in which he worked and often laid bare the consequent asymmetry. While the questions raised by his paintings, sculptures, and poetry—the relationship between association and disassociation, being one-with and apart-from—are more often explored from the position of the marginalized subject, Wong opens them to a broader social matrix. In each period, he occupied simultaneous and conflicting positions of dominance and disempowerment, activating forms of social connection informed by tension, conflict, distance, and misunderstanding.
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spelling oxford-uuid:ddd8c5e7-226b-42c8-af67-a56a347867c62024-12-16T16:12:50ZMartin Wong & other peopleThesishttp://purl.org/coar/resource_type/c_db06uuid:ddd8c5e7-226b-42c8-af67-a56a347867c6Art and historyEnglishHyrax Deposit2024Adler, SBull, MMartin Wong & Other People follows the artist Martin Wong through his time in, and depictions of, four distinct social worlds: the California counterculture during the 1960s and early ‘70s, the provincial city of Eureka during the latter 1970s, New York City during the 1980s, and a historical rendering of San Francisco’s Chinatown largely undertaken in the 1990s. Wong uses his art to establish new personae that enabled integration into each setting while also accentuating the ways in which he remained an outsider. That Wong was a gay Chinese American living in a time of significant discrimination might suggest that the barriers to belonging were imposed from without, and this is always pertinent. However, the artist also exercised social and material power within the minoritarian worlds in which he worked and often laid bare the consequent asymmetry. While the questions raised by his paintings, sculptures, and poetry—the relationship between association and disassociation, being one-with and apart-from—are more often explored from the position of the marginalized subject, Wong opens them to a broader social matrix. In each period, he occupied simultaneous and conflicting positions of dominance and disempowerment, activating forms of social connection informed by tension, conflict, distance, and misunderstanding.
spellingShingle Art and history
Adler, S
Martin Wong & other people
title Martin Wong & other people
title_full Martin Wong & other people
title_fullStr Martin Wong & other people
title_full_unstemmed Martin Wong & other people
title_short Martin Wong & other people
title_sort martin wong other people
topic Art and history
work_keys_str_mv AT adlers martinwongotherpeople