The dysfunctional family in contemporary (post-1990) French and American films and novels
<p>This thesis explores a question which runs through contemporary fiction: what is the weight of the family of origin once children have become adults? It does so by examining the families in six different works: <em>Un Conte de Noël</em> by Arnaud Desplechin, <em>Le Skylab&...
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| Format: | Thesis |
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2018
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| _version_ | 1797099468602998784 |
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| author | Duneton, N |
| author2 | Kemp, S |
| author_facet | Kemp, S Duneton, N |
| author_sort | Duneton, N |
| collection | OXFORD |
| description | <p>This thesis explores a question which runs through contemporary fiction: what is the weight of the family of origin once children have become adults? It does so by examining the families in six different works: <em>Un Conte de Noël</em> by Arnaud Desplechin, <em>Le Skylab</em> by Julie Delpy, <em>Rien ne s'oppose à la nuit</em> by Delphine de Vigan, <em>The Savages</em> by Tamara Jenkins, <em>August: Osage County</em> by John Wells and <em>We Were the Mulvaneys</em> by Joyce Carol Oates. My approach in this thesis is pluridisciplinary both in terms of my primary and secondary material. I use films and novels, and, while I rely on traditional film and literary criticism, I also borrow concepts and ideas from psychology, psychoanalysis, sociology, and anthropology. Concepts drawn from these fields shed light on issues and dynamics that might otherwise go unnoticed. Each chapter has a different approach: 'Home' argues that the childhood home is especially significant as the place which physically embodies the family, 'The Reunion' demonstrates how family reunions uncover the family system which characters operate within, 'Meals' offers a reading of family dynamics through an examination of the representation of family meals, while 'Secrets and Traumas' argues that family secrets and traumas affect family dynamics, and offer keys to individual characters' psyche. Throughout the thesis I observe the ways in which families can become dysfunctional, and the effects of these dysfunctions on its members. I do so by exploring themes such as cross-generational transmissions, the relationships which exist between different members of the family, and how the family can be a locus of trauma. The analysis sees two recurring questions emerge: what makes someone part of a family, and whether the family is a ‘trap’ or a ‘refuge’. Throughout these explorations, the question is one of identity: how is one's identity shaped by their family, and is it possible to forego or escape family transmission. </p> |
| first_indexed | 2024-03-07T05:24:09Z |
| format | Thesis |
| id | oxford-uuid:dffb66ce-9c0b-41e1-9d07-6463e199c561 |
| institution | University of Oxford |
| last_indexed | 2024-03-07T05:24:09Z |
| publishDate | 2018 |
| record_format | dspace |
| spelling | oxford-uuid:dffb66ce-9c0b-41e1-9d07-6463e199c5612022-03-27T09:43:19ZThe dysfunctional family in contemporary (post-1990) French and American films and novelsThesishttp://purl.org/coar/resource_type/c_db06uuid:dffb66ce-9c0b-41e1-9d07-6463e199c561FilmAmericanFrenchNovelContemporary fictionORA Deposit2018Duneton, NKemp, SMarcus, L<p>This thesis explores a question which runs through contemporary fiction: what is the weight of the family of origin once children have become adults? It does so by examining the families in six different works: <em>Un Conte de Noël</em> by Arnaud Desplechin, <em>Le Skylab</em> by Julie Delpy, <em>Rien ne s'oppose à la nuit</em> by Delphine de Vigan, <em>The Savages</em> by Tamara Jenkins, <em>August: Osage County</em> by John Wells and <em>We Were the Mulvaneys</em> by Joyce Carol Oates. My approach in this thesis is pluridisciplinary both in terms of my primary and secondary material. I use films and novels, and, while I rely on traditional film and literary criticism, I also borrow concepts and ideas from psychology, psychoanalysis, sociology, and anthropology. Concepts drawn from these fields shed light on issues and dynamics that might otherwise go unnoticed. Each chapter has a different approach: 'Home' argues that the childhood home is especially significant as the place which physically embodies the family, 'The Reunion' demonstrates how family reunions uncover the family system which characters operate within, 'Meals' offers a reading of family dynamics through an examination of the representation of family meals, while 'Secrets and Traumas' argues that family secrets and traumas affect family dynamics, and offer keys to individual characters' psyche. Throughout the thesis I observe the ways in which families can become dysfunctional, and the effects of these dysfunctions on its members. I do so by exploring themes such as cross-generational transmissions, the relationships which exist between different members of the family, and how the family can be a locus of trauma. The analysis sees two recurring questions emerge: what makes someone part of a family, and whether the family is a ‘trap’ or a ‘refuge’. Throughout these explorations, the question is one of identity: how is one's identity shaped by their family, and is it possible to forego or escape family transmission. </p> |
| spellingShingle | Film American French Novel Contemporary fiction Duneton, N The dysfunctional family in contemporary (post-1990) French and American films and novels |
| title | The dysfunctional family in contemporary (post-1990) French and American films and novels |
| title_full | The dysfunctional family in contemporary (post-1990) French and American films and novels |
| title_fullStr | The dysfunctional family in contemporary (post-1990) French and American films and novels |
| title_full_unstemmed | The dysfunctional family in contemporary (post-1990) French and American films and novels |
| title_short | The dysfunctional family in contemporary (post-1990) French and American films and novels |
| title_sort | dysfunctional family in contemporary post 1990 french and american films and novels |
| topic | Film American French Novel Contemporary fiction |
| work_keys_str_mv | AT dunetonn thedysfunctionalfamilyincontemporarypost1990frenchandamericanfilmsandnovels AT dunetonn dysfunctionalfamilyincontemporarypost1990frenchandamericanfilmsandnovels |