| Summary: | In a special journal issue published in 2014, we set out to explore ‘the diverse modes of formal, aesthetic and ideological exchange between the poetic and the cinematic’ registers in Latin American cultural production from the early twentieth century onwards (Bollig and Wood, eds, 2014: 115). As we laid out in our introduction, we wished to stimulate research on the ‘cross-fertilization and increasing convergence between [these] two artistic media’ (123). To do so, we took as our starting point the concept of adaptation, which has been a choice topic for film theorists since the very emergence of the discipline, from...
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