The symphony of temperance in Republic 4: Musical imagery and practical models
This paper calls into question a long-lasting but ill-founded tenet of Platonic scholarship, namely that Plato was not interested in, or aware of, the technical implications of the musical concepts he employed in the dialogues. Conversely, I will show how Plato exploited the technical and practical...
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| Formato: | Journal article |
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Brill
2017
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