(En) Corps Sonore: towards a feminist ethics of the ‘idea’ of music in recent French thought

(En) Corps Sonore: towards a feminist ethics of the ‘idea’ of music in recent French thought

<p>This thesis explores the way music is characterized, used, or accounted for in recent (post-1968) French thought, focusing in particular on the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe, and Alain Badiou. In spite of the differences in their philosophical-theoretical positions, all o...

Fuld beskrivelse

Bibliografiske detaljer
Hovedforfatter:	Hickmott, S
Andre forfattere:	Maclachlan, I
Format:	Thesis
Udgivet:	2017
Fag:	Music Philosophy Aesthetics 21st Century Feminism and music France Intellectual Life 20th Century

Lignende værker

Agency, physicality, space: analytical approaches to contemporary Nordic concertos
af: Munk, J
Udgivet: (2011)

Lo-Fi aesthetics in popular music discourse
af: Harper, A, et al.
Udgivet: (2014)

The identity, application and legacy of Paul Hindemith’s theory of music
af: Desbruslais, S, et al.
Udgivet: (2013)

“Austrian Popular Music Studies”: A Critical Assessment
af: Bernhard Steinbrecher
Udgivet: (2023-04-01)

The Role of the Cello in the 20th-Century Rock Music
af: Dukov Evgeny
Udgivet: (2024-09-01)

Anaïs Fléchet, Marie-Françoise Lévy, Littératures et musiques dans la mondialisation, XXe-XXIe siècles
af: Laurent Vidal
Udgivet: (2015-09-01)

'The digital is everywhere': negotiating the aesthetics of digital mediation in Montreal's electroacoustic and sound art scenes
af: Valiquet, P, et al.
Udgivet: (2014)

From Research on the Musical “Trans-avant-garde”: A Contribution to the Discussion on the Terminology Concerning the Historiography of 20th Century Polish Music
af: Monika Karwaszewska
Udgivet: (2006-10-01)

“Atlas der gesamten Musik und aller angrenzenden Gebiete”: Austrian Stereotypes, Music, and Material Agency as a Relational Model in Georg Nussbaumer’s Concert Installations
af: Christa Brüstle
Udgivet: (2023-04-01)

Musicology without Present Tense? Spotlights on Teaching Twentieth- and Twenty-First-Century Music History from Around the World
af: Carolin Krahn
Udgivet: (2022-03-01)

Special Issue: “Austrian Music Studies: Topics, Perspectives, Concepts”: Editorial Introduction
af: Federico Celestini
Udgivet: (2023-04-01)

Performing a political shift: avant-garde music in Cold War Spain
af: Sacau-Ferreira, E
Udgivet: (2011)

Postscript: Feminist Legal Theory in the 21st Century
af: Margaret Thornton
Udgivet: (2020-07-01)

AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY
af: Luminiţa GUŢANU
Udgivet: (2011-06-01)

Néomuralisme et militantisme féministe dans l’Argentine du XXIe siècle
af: Caroline Prévost
Udgivet: (2021-07-01)

21st-Century Broadway Musicals and the ‘Best Musical’ Tony Award: Trends and Impact
af: Matthew Hodge
Udgivet: (2020-05-01)

Social Mechanisms of Musical Stylistic Change: A Case Study from Early 20th-Century France
af: Jane Harrison
Udgivet: (2021-06-01)

Polyphonic music in thirteenth-century France
af: Everist, M, et al.
Udgivet: (1985)

Listening to Noise and Listening to Oneself: An Analysis of Peter Ablinger’s Orgel und Rauschen
af: Marina Sudo
Udgivet: (2020-12-01)

Judith Weir's Instrumental Music as Description
af: Kheng K. Koay
Udgivet: (2016-04-01)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
af: Stokes, M
Udgivet: (2006)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
af: Stokes, M
Udgivet: (2006)

The impact of recording on listening
af: Clarke, E
Udgivet: (2007)

Liminality, Postmodernity and Passion: Towards a Theoretical Framework for the study of 21st Century Choral Passion Settings
af: Jennifer Kerr Budziak
Udgivet: (2017-12-01)

Special Issue: “Visualizing Music Histories? The 1892 International Exhibition of Music and Drama and Beyond”: Editorial Introduction
af: Melanie Strumbl
Udgivet: (2023-07-01)

Adventures of Portuguese 'ancient music' in Oxford, London and Paris: Duarte Lobo's 'Liber missarum' and musical antiquarianism, 1650-1850
af: Rees, O
Udgivet: (2005)

The symphonies of Charles Villiers Stanford: constructing a national identity?
af: White, J, et al.
Udgivet: (2014)

Harpsichord and lute music in seventeenth-century France
af: Ledbetter, D, et al.
Udgivet: (1985)

The ecological and the existential: sound and subjectivity in the works of Salvatore Sciarrino and Helmut Lachenmann
af: Li, M
Udgivet: (2023)

Jörn Peter Hiekel / Christian Utz (Hg.), Lexikon Neue Musik, Stuttgart: Metzler / Kassel: Bärenreiter 2016
af: Markus Böggemann
Udgivet: (2019-12-01)

Music Education from the Perspective of “Wiadomości Muzyczne” (1925–1926)
af: Agata KOCAJ, et al.
Udgivet: (2021-05-01)

“My responsibility is to be bold”
af: Igor Contreras Zubillaga, et al.
Udgivet: (2017-03-01)

Early twentieth-century discourses of violin playing
af: Knapik, S
Udgivet: (2011)

Bold Minds: Library Leadership in a time of disruption /
af: Weaver, Margaret 368332, et al.
Udgivet: (2020)

The Creative Work of Women Composers in 20th-century Serbian Music in General Music Education
af: Мirko Jeremić, et al.
Udgivet: (2023-12-01)

Portfolio of compositions and critical writing
af: Garrard, C
Udgivet: (2013)

Organ reform in England: aesthetics and polemics, 1901-1965
af: Prozzillo, N
Udgivet: (2011)

'Words for music perhaps': W.B. Yeats and musical sense
af: Paterson, A
Udgivet: (2007)

Wybrane aspekty stosunków chińsko-francuskich w XXI wieku
af: Marzena Mruk
Udgivet: (2020-12-01)

"Flourishing with music": from music students to well-rounded musicians of the 21st century
af: Sonja Cruywagen
Udgivet: (2018-09-01)