A stamped talisman

A large, undated paper talisman belonging to the Nasser D. Khalili Collection was among the most enigmatic objects on display in the exhibition Power and Protection: Islamic Art and the Supernatural (Ashmolean Museum of Art and Archaeology, Oxford, 20 October 2016–15 January 2017). Although unusual,...

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Bibliographic Details
Main Author: Leoni, F
Other Authors: Saif, L
Format: Book section
Language:English
Published: Brill 2020
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author Leoni, F
author2 Saif, L
author_facet Saif, L
Leoni, F
author_sort Leoni, F
collection OXFORD
description A large, undated paper talisman belonging to the Nasser D. Khalili Collection was among the most enigmatic objects on display in the exhibition Power and Protection: Islamic Art and the Supernatural (Ashmolean Museum of Art and Archaeology, Oxford, 20 October 2016–15 January 2017). Although unusual, this object is not unique and belongs to a group of documents attested in the late Ottoman world that share several features. First, they are all in the same medium, paper, available in various formats. Second, they all show signs of wear and tear, which are not simply a mark of their age or their support’s fragility but also reflect various forms of physical interaction—from touching, rubbing, and, possibly, kissing, to folding and rolling for storage purposes and easy carrying. Third, they all exhibit an impressive variety of imprinted motifs, featuring texts, images, and diagrams, whose content ranges from the devotional to the magical. The purpose of this article is to establish the context of production of the Khalili talisman through a detailed analysis of its material qualities and content. The broad nature of the texts and images available on it ultimately provides the opportunity to reflect on the limited usefulness of clear-cut categories (e.g., sacred/profane, orthodox/heterodox, religious/folkloric, and Sunni/Shiʿi) when trying to understand and position Islamic material evidence connected to occult practices.
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spelling oxford-uuid:ee40429d-f1ae-40ee-a733-90a865ed89f42022-03-27T11:31:20ZA stamped talismanBook sectionhttp://purl.org/coar/resource_type/c_3248uuid:ee40429d-f1ae-40ee-a733-90a865ed89f4EnglishSymplectic Elements at OxfordBrill2020Leoni, FSaif, LLeoni, FMelvin-Koushki, MYahya, FA large, undated paper talisman belonging to the Nasser D. Khalili Collection was among the most enigmatic objects on display in the exhibition Power and Protection: Islamic Art and the Supernatural (Ashmolean Museum of Art and Archaeology, Oxford, 20 October 2016–15 January 2017). Although unusual, this object is not unique and belongs to a group of documents attested in the late Ottoman world that share several features. First, they are all in the same medium, paper, available in various formats. Second, they all show signs of wear and tear, which are not simply a mark of their age or their support’s fragility but also reflect various forms of physical interaction—from touching, rubbing, and, possibly, kissing, to folding and rolling for storage purposes and easy carrying. Third, they all exhibit an impressive variety of imprinted motifs, featuring texts, images, and diagrams, whose content ranges from the devotional to the magical. The purpose of this article is to establish the context of production of the Khalili talisman through a detailed analysis of its material qualities and content. The broad nature of the texts and images available on it ultimately provides the opportunity to reflect on the limited usefulness of clear-cut categories (e.g., sacred/profane, orthodox/heterodox, religious/folkloric, and Sunni/Shiʿi) when trying to understand and position Islamic material evidence connected to occult practices.
spellingShingle Leoni, F
A stamped talisman
title A stamped talisman
title_full A stamped talisman
title_fullStr A stamped talisman
title_full_unstemmed A stamped talisman
title_short A stamped talisman
title_sort stamped talisman
work_keys_str_mv AT leonif astampedtalisman
AT leonif stampedtalisman