Aristophanes and the cult of the saviour
Aristophanes’ Knights, Peace, and Birds are deeply interested in the figure of the civic “saviour”, who is depicted as a Gottmensch: a man become god or, at least, a man deserving of religious treatment such as the gods receive. While the Aristophanic treatment of the theme contains many parodic, pa...
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| Médium: | Journal article |
| Jazyk: | English |
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Salvatore Sciascia Editore
2020
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| Shrnutí: | Aristophanes’ Knights, Peace, and Birds are deeply interested in the figure of the civic “saviour”, who is depicted as a Gottmensch: a man become god or, at least, a man deserving of religious treatment such as the gods receive. While the Aristophanic treatment of the theme contains many parodic, paratragic, and metatheatrical elements, it arguably still offers a utilizable and unique window onto real-life practices concerning fifth-century BCE Gottmensch- and saviour-figures. Aristophanic comedy consequently has a role to play in the reconstruction of the early history of saviour- and ruler-cult, prior to the divine cult given to Lysandros in his own lifetime at Samos in 404 BCE. |
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