Tracing back trauma: the legacy of slavery in contemporary Afro-Brazilian literature by women

Although there are many, mostly male, contemporary writers in Brazil whose narratives of urban violence and social inequality implicitly reflect the impact and legacy of slavery on contemporary society, it is interesting that this shameful period, and shockingly brutal events which seem to prove wro...

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Main Author: Williams, C
Format: Journal article
Published: Routledge 2017
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author Williams, C
author_facet Williams, C
author_sort Williams, C
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description Although there are many, mostly male, contemporary writers in Brazil whose narratives of urban violence and social inequality implicitly reflect the impact and legacy of slavery on contemporary society, it is interesting that this shameful period, and shockingly brutal events which seem to prove wrong the myths of gentle colonization and harmonious racial democracy, should be chosen as subject matter by four women writers. While very different novels, Adriana Lisboa’s Os Fios da Memória [The Threads of Memory] (1999), Conceição Evaristo's Ponciá Vicêncio (2003), Ana Maria Gonçalves's Um Defeito de Cor [A Defect in Colour] (2006) and Tatiana Salem Levy's Paraíso [Paradise] (2014) all deal frankly with the horrors of slavery and its aftermaths from the point of view of the most vulnerable member of colonial society: the enslaved African woman. This article analyses the ways in which these writers claim justice for their characters and remind readers that those excluded from official histories had names, faces and voices.
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spelling oxford-uuid:f4d6e7bd-8b82-42f4-a7be-7b5a53c19e2a2022-03-27T12:22:49ZTracing back trauma: the legacy of slavery in contemporary Afro-Brazilian literature by womenJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:f4d6e7bd-8b82-42f4-a7be-7b5a53c19e2aSymplectic Elements at OxfordRoutledge2017Williams, CAlthough there are many, mostly male, contemporary writers in Brazil whose narratives of urban violence and social inequality implicitly reflect the impact and legacy of slavery on contemporary society, it is interesting that this shameful period, and shockingly brutal events which seem to prove wrong the myths of gentle colonization and harmonious racial democracy, should be chosen as subject matter by four women writers. While very different novels, Adriana Lisboa’s Os Fios da Memória [The Threads of Memory] (1999), Conceição Evaristo's Ponciá Vicêncio (2003), Ana Maria Gonçalves's Um Defeito de Cor [A Defect in Colour] (2006) and Tatiana Salem Levy's Paraíso [Paradise] (2014) all deal frankly with the horrors of slavery and its aftermaths from the point of view of the most vulnerable member of colonial society: the enslaved African woman. This article analyses the ways in which these writers claim justice for their characters and remind readers that those excluded from official histories had names, faces and voices.
spellingShingle Williams, C
Tracing back trauma: the legacy of slavery in contemporary Afro-Brazilian literature by women
title Tracing back trauma: the legacy of slavery in contemporary Afro-Brazilian literature by women
title_full Tracing back trauma: the legacy of slavery in contemporary Afro-Brazilian literature by women
title_fullStr Tracing back trauma: the legacy of slavery in contemporary Afro-Brazilian literature by women
title_full_unstemmed Tracing back trauma: the legacy of slavery in contemporary Afro-Brazilian literature by women
title_short Tracing back trauma: the legacy of slavery in contemporary Afro-Brazilian literature by women
title_sort tracing back trauma the legacy of slavery in contemporary afro brazilian literature by women
work_keys_str_mv AT williamsc tracingbacktraumathelegacyofslaveryincontemporaryafrobrazilianliteraturebywomen