«¡España viva!»: Personifications of Spain in Lope de Vega's 'comedias de santos'

The frequent deployment of non-human characters is a distinctive feature of Golden-Age hagiographic drama. Non-human characters intervene in every one of the twenty-five comedias by Lope de Vega that can, according to the criteria applied by Robert Morrison [2000:97], legitimately be considered sain...

Full description

Bibliographic Details
Main Author: Norton, R
Format: Journal article
Language:English
Published: Universitat Autònoma de Barcelona - Revistes Digitals 2016
_version_ 1797104447929712640
author Norton, R
author_facet Norton, R
author_sort Norton, R
collection OXFORD
description The frequent deployment of non-human characters is a distinctive feature of Golden-Age hagiographic drama. Non-human characters intervene in every one of the twenty-five comedias by Lope de Vega that can, according to the criteria applied by Robert Morrison [2000:97], legitimately be considered saints plays. Lope’s non-human characters can be divided into three broad categories, although there can be some overlap.
first_indexed 2024-03-07T06:33:56Z
format Journal article
id oxford-uuid:f6f630f1-0142-451e-8e60-ffcf075387c8
institution University of Oxford
language English
last_indexed 2024-03-07T06:33:56Z
publishDate 2016
publisher Universitat Autònoma de Barcelona - Revistes Digitals
record_format dspace
spelling oxford-uuid:f6f630f1-0142-451e-8e60-ffcf075387c82022-03-27T12:39:00Z«¡España viva!»: Personifications of Spain in Lope de Vega's 'comedias de santos'Journal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:f6f630f1-0142-451e-8e60-ffcf075387c8EnglishSymplectic Elements at OxfordUniversitat Autònoma de Barcelona - Revistes Digitals2016Norton, RThe frequent deployment of non-human characters is a distinctive feature of Golden-Age hagiographic drama. Non-human characters intervene in every one of the twenty-five comedias by Lope de Vega that can, according to the criteria applied by Robert Morrison [2000:97], legitimately be considered saints plays. Lope’s non-human characters can be divided into three broad categories, although there can be some overlap.
spellingShingle Norton, R
«¡España viva!»: Personifications of Spain in Lope de Vega's 'comedias de santos'
title «¡España viva!»: Personifications of Spain in Lope de Vega's 'comedias de santos'
title_full «¡España viva!»: Personifications of Spain in Lope de Vega's 'comedias de santos'
title_fullStr «¡España viva!»: Personifications of Spain in Lope de Vega's 'comedias de santos'
title_full_unstemmed «¡España viva!»: Personifications of Spain in Lope de Vega's 'comedias de santos'
title_short «¡España viva!»: Personifications of Spain in Lope de Vega's 'comedias de santos'
title_sort espana viva personifications of spain in lope de vega s comedias de santos
work_keys_str_mv AT nortonr espanavivapersonificationsofspaininlopedevegascomediasdesantos