My encounter with Walter N. Harding

My encounter with Walter N. Harding

A personal view of Walter N. Harding, the donor of the Bodleian's largest ever gift.

Bibliographic Details
Main Author:	Burden, M
Format:	Record
Language:	English
Published:	2012
Subjects:	18th Century music

Similar Items

The Opera House on the London stage
by: Burden, M
Published: (2010)

Metastasio on the British Stage 1728-1840 a catalogue
by: Burden, M
Published: (2007)

‘Play it again, Sam’: the ‘encore’ in 18th-century London opera
by: Burden, M
Published: (2016)

Rehearsing an opera in Georgian London
by: Burden, M
Published: (2008)

Adapting Phaëton
by: Burden, M
Published: (2011)

‘Following the male gaze; Visiting the Green Room at London’s Opera House’
by: Burden, M
Published: (2012)

Imaging Mandane: character, costume, monument
by: Burden, M
Published: (2008)

Fluid texts, moving arias, shifting sands;
by: Burden, M
Published: (2011)

To repeat (or not to repeat)? Dance cues in Restoration English opera
by: Burden, M
Published: (2007)

Mrs Billington’s embonpoint;
by: Burden, M
Published: (2008)

‘”With dances analogous to the drama”;
by: Burden, M
Published: (2012)

Tumbling images: Carlo Antonio Delpini at work
by: Burden, M
Published: (2014)

Adventures of Portuguese 'ancient music' in Oxford, London and Paris: Duarte Lobo's 'Liber missarum' and musical antiquarianism, 1650-1850
by: Rees, O
Published: (2005)

Eating and the theatre
by: Burden, M
Published: (2004)

Music and drama at the Académie royale de musique (Paris), 1774-1789
by: Rushton, J, et al.
Published: (1969)

Hume on justice as a virtue
by: Vaccari, A
Published: (2023)

Untimely aesthetics
by: Martin, N, et al.
Published: (1993)

Opera and nationalism in mid-eighteenth-century Britain
by: Aspden, S, et al.
Published: (1999)

Eighteenth-Century Poetry Archive
by: Huber, A
Published: (2018)

"I could publish my own heart": the correspondence of Alexander Pope in manuscript and print
by: Brown, H
Published: (2022)

Napoleon and British popular song, 1797-1822
by: Cox Jensen, O
Published: (2014)

Symphonic style and structural tonality in the late eighteenth century with special emphasis on the music of Haydn
by: Parsonson, R
Published: (1980)

Pierrot strikes back: François Nivelon at Lincoln’s Inn Fields and Covent Garden, 1723-1738
by: Thorp, J
Published: (2008)

Samuel Wyatt, architect
by: Robinson, J, et al.
Published: (1974)

Intertextuality, exegesis, and composition in polytextual motets around 1500
by: Kolb, P
Published: (2013)

The management of the Tory interest in Lancashire and Cheshire, 1714-1747
by: Baskerville, S
Published: (1976)

Clergy and community
by: Wilton, A, et al.
Published: (1998)

Eighteenth century women and the domestic mock heroic
by: Lawton-Trask, K
Published: (2018)

The symphonies of Charles Villiers Stanford: constructing a national identity?
by: White, J, et al.
Published: (2014)

The life and work of Maurice Greene (1696-1755)
by: Johnstone, H
Published: (1968)

English solo keyboard music of the middle and late baroque
by: Cooper, BAR
Published: (1974)

Early twentieth-century discourses of violin playing
by: Knapik, S
Published: (2011)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
by: Stokes, M
Published: (2006)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
by: Stokes, M
Published: (2006)

Sociable productions: women's poetry, 1730-1760
by: Keown, K
Published: (2018)

The impact of recording on listening
by: Clarke, E
Published: (2007)

Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries
by: Ballantyne, AL
Published: (2014)

Quixotes, dreamers and imaginists
by: Williams, S, et al.
Published: (1998)

The cultural life of Bristol, 1640-1775
by: Barry, J
Published: (1985)

‘Aptlie framed for the dittie’: a study of setting sacred Latin texts to music in sixteenth-century England
by: Ku, CJS
Published: (2014)