Identiti Bidayuh Sarawak dalam Tarian Langgie Pingadap

Langgie Pingadap dance was performed by ethnic Bidayuh Bukar in Sarawak after harvest work performed as a prayer of gratitude to God on the yield obtained. Langgie Pingadap dance is a reflection identity of the Bidayuh community that often associated with hill paddy farming activities. It is appropr...

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Main Authors: Mohamad Maulana Magiman, Norhuda Salleh
Format: Article
Language:Malay
English
Published: Penerbit UM 2017
Subjects:
Online Access:https://eprints.ums.edu.my/id/eprint/30187/2/Identiti%20Bidayuh%20Sarawak%20dalam%20Tarian%20Langgie%20Pingadap%20FULL%20TEXT.pdf
https://eprints.ums.edu.my/id/eprint/30187/5/Identiti%20Bidayuh%20Sarawak%20dalam%20Tarian%20Langgie%20Pingadap%20ABSTRACT.pdf
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author Mohamad Maulana Magiman
Norhuda Salleh
author_facet Mohamad Maulana Magiman
Norhuda Salleh
author_sort Mohamad Maulana Magiman
collection UMS
description Langgie Pingadap dance was performed by ethnic Bidayuh Bukar in Sarawak after harvest work performed as a prayer of gratitude to God on the yield obtained. Langgie Pingadap dance is a reflection identity of the Bidayuh community that often associated with hill paddy farming activities. It is appropriate for the life of this community, also known as the Land Dayaks who inhabit the land and run hill paddy farming. This study identified the Bidayuh community identity through Langgie Pingadap dance movement and also study the symbols used in the dance itself. To achieve the objectives of the research, ethnographic methods was used in this study. This method focuses on social phenomena from the perspective of the involvement of researchers and respondents were implemented. This study found that the identity featured by the Bidayuh dance adapted from their lives as rice farmers hill. The elements of unification clearly shown in every dance performed. The use of the symbol is highlighted by the selection of colour in clothes of black as the base colour, red and yellow as the colour combination. Besides the clothing also graced with floral motifs and decoration which means leading to the formation of the identity of the Bidayuh. The modernization also has allowed this dance continues to be practiced but with some modifications based on changes in people's confidence in the practitioner. In the past time, this dance once performed among the Bidayuh farmers only, but now it has been presented during the Gawai festival each year. The meaning of this dance in the Gawai festival is to welcome the guests and the spirit of joint action between the guest and the host.
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spelling ums.eprints-301872021-07-31T15:34:57Z https://eprints.ums.edu.my/id/eprint/30187/ Identiti Bidayuh Sarawak dalam Tarian Langgie Pingadap Mohamad Maulana Magiman Norhuda Salleh GR Folklore HT Communities. Classes. Races Langgie Pingadap dance was performed by ethnic Bidayuh Bukar in Sarawak after harvest work performed as a prayer of gratitude to God on the yield obtained. Langgie Pingadap dance is a reflection identity of the Bidayuh community that often associated with hill paddy farming activities. It is appropriate for the life of this community, also known as the Land Dayaks who inhabit the land and run hill paddy farming. This study identified the Bidayuh community identity through Langgie Pingadap dance movement and also study the symbols used in the dance itself. To achieve the objectives of the research, ethnographic methods was used in this study. This method focuses on social phenomena from the perspective of the involvement of researchers and respondents were implemented. This study found that the identity featured by the Bidayuh dance adapted from their lives as rice farmers hill. The elements of unification clearly shown in every dance performed. The use of the symbol is highlighted by the selection of colour in clothes of black as the base colour, red and yellow as the colour combination. Besides the clothing also graced with floral motifs and decoration which means leading to the formation of the identity of the Bidayuh. The modernization also has allowed this dance continues to be practiced but with some modifications based on changes in people's confidence in the practitioner. In the past time, this dance once performed among the Bidayuh farmers only, but now it has been presented during the Gawai festival each year. The meaning of this dance in the Gawai festival is to welcome the guests and the spirit of joint action between the guest and the host. Penerbit UM 2017 Article PeerReviewed text ms https://eprints.ums.edu.my/id/eprint/30187/2/Identiti%20Bidayuh%20Sarawak%20dalam%20Tarian%20Langgie%20Pingadap%20FULL%20TEXT.pdf text en https://eprints.ums.edu.my/id/eprint/30187/5/Identiti%20Bidayuh%20Sarawak%20dalam%20Tarian%20Langgie%20Pingadap%20ABSTRACT.pdf Mohamad Maulana Magiman and Norhuda Salleh (2017) Identiti Bidayuh Sarawak dalam Tarian Langgie Pingadap. Borneo Research Journal, 11. pp. 46-59. ISSN 1985-5443 (P-ISSN) , 2600-8645 (E-ISSN) https://borneojournal.um.edu.my/article/view/10195 https://doi.org/10.22452/brj.vol11no1.3 https://doi.org/10.22452/brj.vol11no1.3
spellingShingle GR Folklore
HT Communities. Classes. Races
Mohamad Maulana Magiman
Norhuda Salleh
Identiti Bidayuh Sarawak dalam Tarian Langgie Pingadap
title Identiti Bidayuh Sarawak dalam Tarian Langgie Pingadap
title_full Identiti Bidayuh Sarawak dalam Tarian Langgie Pingadap
title_fullStr Identiti Bidayuh Sarawak dalam Tarian Langgie Pingadap
title_full_unstemmed Identiti Bidayuh Sarawak dalam Tarian Langgie Pingadap
title_short Identiti Bidayuh Sarawak dalam Tarian Langgie Pingadap
title_sort identiti bidayuh sarawak dalam tarian langgie pingadap
topic GR Folklore
HT Communities. Classes. Races
url https://eprints.ums.edu.my/id/eprint/30187/2/Identiti%20Bidayuh%20Sarawak%20dalam%20Tarian%20Langgie%20Pingadap%20FULL%20TEXT.pdf
https://eprints.ums.edu.my/id/eprint/30187/5/Identiti%20Bidayuh%20Sarawak%20dalam%20Tarian%20Langgie%20Pingadap%20ABSTRACT.pdf
work_keys_str_mv AT mohamadmaulanamagiman identitibidayuhsarawakdalamtarianlanggiepingadap
AT norhudasalleh identitibidayuhsarawakdalamtarianlanggiepingadap