Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two
Since the inception of digital cinematography, systemic colour management has been introduced from REC709 to REC2020, but not one colour management system that could be used universally. Thus, Academy Color Encoding System (ACES) was created, and it has become pivotal since its inception to unify al...
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| Format: | Proceedings |
| Language: | English English |
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Akademi Seni dan Teknologi Kreatif
2021
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| Online Access: | https://eprints.ums.edu.my/id/eprint/31941/1/Academy%20color%20encoding%20system%20%28ACES%29%20in%20the%20era%20of%20digital%20cinematography%2C%20A%20review%20on%20the%20implementation%20in%20polis%20evo%20two.%20ABSTRACT.pdf https://eprints.ums.edu.my/id/eprint/31941/2/Academy%20Color%20Encoding%20System%20%28ACES%29%20in%20The%20Era%20of%20Digital%20Cinematography%2C%20A%20Review%20on%20The%20Implementation%20in%20Polis%20Evo%20Two.pdf |
| _version_ | 1825714601581346816 |
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| author | Tan Teck Zee M Fazmi Hisham |
| author_facet | Tan Teck Zee M Fazmi Hisham |
| author_sort | Tan Teck Zee |
| collection | UMS |
| description | Since the inception of digital cinematography, systemic colour management has been introduced from REC709 to REC2020, but not one colour management system that could be used universally. Thus, Academy Color Encoding System (ACES) was created, and it has become pivotal since its inception to unify all colour space available in motion pictures. Polis Evo Two (2018) was the first Malaysian film to use ACES from principal photography to Digital Cinema Package (DCP). This article would take the reader through the process taken by the researcher/cinematographer. Using a practice-based approach, this article hopes to share how ACES was implemented and solve some of the complex color disparities within the viewing platform. In light, this would help local cinematographers embrace ACES as an end-to-end pipeline for colour management. |
| first_indexed | 2024-03-06T03:14:14Z |
| format | Proceedings |
| id | ums.eprints-31941 |
| institution | Universiti Malaysia Sabah |
| language | English English |
| last_indexed | 2024-03-06T03:14:14Z |
| publishDate | 2021 |
| publisher | Akademi Seni dan Teknologi Kreatif |
| record_format | dspace |
| spelling | ums.eprints-319412022-03-24T00:15:19Z https://eprints.ums.edu.my/id/eprint/31941/ Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two Tan Teck Zee M Fazmi Hisham TR1-1050 Photography Since the inception of digital cinematography, systemic colour management has been introduced from REC709 to REC2020, but not one colour management system that could be used universally. Thus, Academy Color Encoding System (ACES) was created, and it has become pivotal since its inception to unify all colour space available in motion pictures. Polis Evo Two (2018) was the first Malaysian film to use ACES from principal photography to Digital Cinema Package (DCP). This article would take the reader through the process taken by the researcher/cinematographer. Using a practice-based approach, this article hopes to share how ACES was implemented and solve some of the complex color disparities within the viewing platform. In light, this would help local cinematographers embrace ACES as an end-to-end pipeline for colour management. Akademi Seni dan Teknologi Kreatif 2021-11-20 Proceedings PeerReviewed text en https://eprints.ums.edu.my/id/eprint/31941/1/Academy%20color%20encoding%20system%20%28ACES%29%20in%20the%20era%20of%20digital%20cinematography%2C%20A%20review%20on%20the%20implementation%20in%20polis%20evo%20two.%20ABSTRACT.pdf text en https://eprints.ums.edu.my/id/eprint/31941/2/Academy%20Color%20Encoding%20System%20%28ACES%29%20in%20The%20Era%20of%20Digital%20Cinematography%2C%20A%20Review%20on%20The%20Implementation%20in%20Polis%20Evo%20Two.pdf Tan Teck Zee and M Fazmi Hisham (2021) Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two. https://www.ivcctva.com/e-proceeding-full-paper |
| spellingShingle | TR1-1050 Photography Tan Teck Zee M Fazmi Hisham Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two |
| title | Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two |
| title_full | Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two |
| title_fullStr | Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two |
| title_full_unstemmed | Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two |
| title_short | Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two |
| title_sort | academy color encoding system aces in the era of digital cinematography a review on the implementation in polis evo two |
| topic | TR1-1050 Photography |
| url | https://eprints.ums.edu.my/id/eprint/31941/1/Academy%20color%20encoding%20system%20%28ACES%29%20in%20the%20era%20of%20digital%20cinematography%2C%20A%20review%20on%20the%20implementation%20in%20polis%20evo%20two.%20ABSTRACT.pdf https://eprints.ums.edu.my/id/eprint/31941/2/Academy%20Color%20Encoding%20System%20%28ACES%29%20in%20The%20Era%20of%20Digital%20Cinematography%2C%20A%20Review%20on%20The%20Implementation%20in%20Polis%20Evo%20Two.pdf |
| work_keys_str_mv | AT tanteckzee academycolorencodingsystemacesintheeraofdigitalcinematographyareviewontheimplementationinpolisevotwo AT mfazmihisham academycolorencodingsystemacesintheeraofdigitalcinematographyareviewontheimplementationinpolisevotwo |