The grotesque body in Ian McEwan’s short stories

The subject matter and imagery prevalent in Ian McEwan’s early fiction are shockingly unpleasant and justifiably notorious for their portrayal of grotesqueries to the extent that their significance has been ignored or undermined compared to his later more successful works. In the present study, we d...

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Main Authors: Moghadam, Nahid Shahbazi, Termizi, Arbaayah Ali
Format: Article
Language:English
Published: University of Oslo, Department of British and American Studies 2017
Online Access:http://psasir.upm.edu.my/id/eprint/63461/1/The%20grotesque%20body%20in%20Ian%20McEwan%E2%80%99s%20short%20stories.pdf
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author Moghadam, Nahid Shahbazi
Termizi, Arbaayah Ali
author_facet Moghadam, Nahid Shahbazi
Termizi, Arbaayah Ali
author_sort Moghadam, Nahid Shahbazi
collection UPM
description The subject matter and imagery prevalent in Ian McEwan’s early fiction are shockingly unpleasant and justifiably notorious for their portrayal of grotesqueries to the extent that their significance has been ignored or undermined compared to his later more successful works. In the present study, we discuss these grotesque representations and their implications in a number of his short stories from the two collections of In Between the Sheets (1975) and First Love, Last Rites (1978). Our discussion of the grotesque body in the aforementioned stories relies on a synthesis of Mikhail Bakhtin’s notion of grotesque realism and John R. Clark’s view of the modern satiric grotesque, which involves grim laughter and degradation reinforced through scatological imagery. We thus argue that the loss of a communal and regenerative sense of human existence in the modern life style can explain the sadism, masochism, violence or fatality prevalent in contemporary fiction as exemplified in McEwan’s short stories.
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spelling upm.eprints-634612018-10-16T09:40:20Z http://psasir.upm.edu.my/id/eprint/63461/ The grotesque body in Ian McEwan’s short stories Moghadam, Nahid Shahbazi Termizi, Arbaayah Ali The subject matter and imagery prevalent in Ian McEwan’s early fiction are shockingly unpleasant and justifiably notorious for their portrayal of grotesqueries to the extent that their significance has been ignored or undermined compared to his later more successful works. In the present study, we discuss these grotesque representations and their implications in a number of his short stories from the two collections of In Between the Sheets (1975) and First Love, Last Rites (1978). Our discussion of the grotesque body in the aforementioned stories relies on a synthesis of Mikhail Bakhtin’s notion of grotesque realism and John R. Clark’s view of the modern satiric grotesque, which involves grim laughter and degradation reinforced through scatological imagery. We thus argue that the loss of a communal and regenerative sense of human existence in the modern life style can explain the sadism, masochism, violence or fatality prevalent in contemporary fiction as exemplified in McEwan’s short stories. University of Oslo, Department of British and American Studies 2017 Article PeerReviewed text en http://psasir.upm.edu.my/id/eprint/63461/1/The%20grotesque%20body%20in%20Ian%20McEwan%E2%80%99s%20short%20stories.pdf Moghadam, Nahid Shahbazi and Termizi, Arbaayah Ali (2017) The grotesque body in Ian McEwan’s short stories. Nordic Journal of English Studies, 16 (3). 37 - 59. ISSN 1654-6970 http://ojs.ub.gu.se/ojs/index.php/njes/article/view/4186
spellingShingle Moghadam, Nahid Shahbazi
Termizi, Arbaayah Ali
The grotesque body in Ian McEwan’s short stories
title The grotesque body in Ian McEwan’s short stories
title_full The grotesque body in Ian McEwan’s short stories
title_fullStr The grotesque body in Ian McEwan’s short stories
title_full_unstemmed The grotesque body in Ian McEwan’s short stories
title_short The grotesque body in Ian McEwan’s short stories
title_sort grotesque body in ian mcewan s short stories
url http://psasir.upm.edu.my/id/eprint/63461/1/The%20grotesque%20body%20in%20Ian%20McEwan%E2%80%99s%20short%20stories.pdf
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