M-learning in the transmission and sustainability of Cantonese opera in KSK Art Crew

Yueju (Cantonese opera), which originated in Southern China, has a long history in the genre of Chinese opera. This study examines how KSK Art Crew sustains this genre in Malaysia and examines the changes in its transmission processes. Past literatures reveal a number of published research monograph...

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Main Authors: He, Shan, Loo, Fung Chiat, Loo, Fung Ying
Format: Conference or Workshop Item
Language:English
Published: 2015
Online Access:http://psasir.upm.edu.my/id/eprint/67041/1/inte2015-3.pdf
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author He, Shan
Loo, Fung Chiat
Loo, Fung Ying
author_facet He, Shan
Loo, Fung Chiat
Loo, Fung Ying
author_sort He, Shan
collection UPM
description Yueju (Cantonese opera), which originated in Southern China, has a long history in the genre of Chinese opera. This study examines how KSK Art Crew sustains this genre in Malaysia and examines the changes in its transmission processes. Past literatures reveal a number of published research monographs and articles on yueju in mainland China and the diasporic Chinese communities in the United States. This study focuses on KSK Art Crew, led by Kam Sin Kiew, and its innovative teaching methods and continuous effort in the sustainability of Cantonese opera in Malaysia. Findings reveal how Kam, the artistic director and founder of KSK Art Crew led new approaches in the teaching of yueju incorporating technological advances, M-learning approach, and pre-recorded music accompaniment that led to aesthetic and pedagogical changes. In addition, how performances were re-contextualized in the form of a dinner-show to adapt to the modern Malaysian audience is discussed.
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spelling upm.eprints-670412019-03-06T05:40:15Z http://psasir.upm.edu.my/id/eprint/67041/ M-learning in the transmission and sustainability of Cantonese opera in KSK Art Crew He, Shan Loo, Fung Chiat Loo, Fung Ying Yueju (Cantonese opera), which originated in Southern China, has a long history in the genre of Chinese opera. This study examines how KSK Art Crew sustains this genre in Malaysia and examines the changes in its transmission processes. Past literatures reveal a number of published research monographs and articles on yueju in mainland China and the diasporic Chinese communities in the United States. This study focuses on KSK Art Crew, led by Kam Sin Kiew, and its innovative teaching methods and continuous effort in the sustainability of Cantonese opera in Malaysia. Findings reveal how Kam, the artistic director and founder of KSK Art Crew led new approaches in the teaching of yueju incorporating technological advances, M-learning approach, and pre-recorded music accompaniment that led to aesthetic and pedagogical changes. In addition, how performances were re-contextualized in the form of a dinner-show to adapt to the modern Malaysian audience is discussed. 2015 Conference or Workshop Item PeerReviewed text en http://psasir.upm.edu.my/id/eprint/67041/1/inte2015-3.pdf He, Shan and Loo, Fung Chiat and Loo, Fung Ying (2015) M-learning in the transmission and sustainability of Cantonese opera in KSK Art Crew. In: 6th International Conference on New Horizons in Education (INTE 2015), 10-12 June 2015, Barcelona, Spain. (pp. 455-458).
spellingShingle He, Shan
Loo, Fung Chiat
Loo, Fung Ying
M-learning in the transmission and sustainability of Cantonese opera in KSK Art Crew
title M-learning in the transmission and sustainability of Cantonese opera in KSK Art Crew
title_full M-learning in the transmission and sustainability of Cantonese opera in KSK Art Crew
title_fullStr M-learning in the transmission and sustainability of Cantonese opera in KSK Art Crew
title_full_unstemmed M-learning in the transmission and sustainability of Cantonese opera in KSK Art Crew
title_short M-learning in the transmission and sustainability of Cantonese opera in KSK Art Crew
title_sort m learning in the transmission and sustainability of cantonese opera in ksk art crew
url http://psasir.upm.edu.my/id/eprint/67041/1/inte2015-3.pdf
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