Art and the community in the Philippines: Conversation between Sarena Abdullah and Eileen Legaspi-Ramirez

an artist might choose to make their art outside the typical gallery/museum space but may not be wholly interested in the participative aspect of doing work in collaboration and subject to community processes. On the other end of the spectrum would be artists working with communities/those explic...

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Bibliographic Details
Main Authors: Abdullah, Sarena, Legaspi-Ramirez, Eileen
Format: Article
Language:English
Published: Intellect 2018
Subjects:
Online Access:http://eprints.usm.my/31755/1/2018%20Art%20and%20the%20Community%20in%20the%20Philippines.pdf
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author Abdullah, Sarena
Legaspi-Ramirez, Eileen
author_facet Abdullah, Sarena
Legaspi-Ramirez, Eileen
author_sort Abdullah, Sarena
collection USM
description an artist might choose to make their art outside the typical gallery/museum space but may not be wholly interested in the participative aspect of doing work in collaboration and subject to community processes. On the other end of the spectrum would be artists working with communities/those explicitly aligning their practices with community engagement, and where the art might actually take a backseat to the processes of immersion and organizing. Another useful distinction could also be made: artists coming into a community setting with the expressed purpose of making art on site, and those artists more explicitly wishing to situate their practice within communities
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spelling usm.eprints-317552022-01-26T03:20:39Z http://eprints.usm.my/31755/ Art and the community in the Philippines: Conversation between Sarena Abdullah and Eileen Legaspi-Ramirez Abdullah, Sarena Legaspi-Ramirez, Eileen N Fine Arts an artist might choose to make their art outside the typical gallery/museum space but may not be wholly interested in the participative aspect of doing work in collaboration and subject to community processes. On the other end of the spectrum would be artists working with communities/those explicitly aligning their practices with community engagement, and where the art might actually take a backseat to the processes of immersion and organizing. Another useful distinction could also be made: artists coming into a community setting with the expressed purpose of making art on site, and those artists more explicitly wishing to situate their practice within communities Intellect 2018 Article PeerReviewed application/pdf en http://eprints.usm.my/31755/1/2018%20Art%20and%20the%20Community%20in%20the%20Philippines.pdf Abdullah, Sarena and Legaspi-Ramirez, Eileen (2018) Art and the community in the Philippines: Conversation between Sarena Abdullah and Eileen Legaspi-Ramirez. Art & the Public Sphere, 7 (1). pp. 93-99. ISSN 2042-7948 https://www.ingentaconnect.com/content/intellect/aps/2018/00000007/00000001/
spellingShingle N Fine Arts
Abdullah, Sarena
Legaspi-Ramirez, Eileen
Art and the community in the Philippines: Conversation between Sarena Abdullah and Eileen Legaspi-Ramirez
title Art and the community in the Philippines: Conversation between Sarena Abdullah and Eileen Legaspi-Ramirez
title_full Art and the community in the Philippines: Conversation between Sarena Abdullah and Eileen Legaspi-Ramirez
title_fullStr Art and the community in the Philippines: Conversation between Sarena Abdullah and Eileen Legaspi-Ramirez
title_full_unstemmed Art and the community in the Philippines: Conversation between Sarena Abdullah and Eileen Legaspi-Ramirez
title_short Art and the community in the Philippines: Conversation between Sarena Abdullah and Eileen Legaspi-Ramirez
title_sort art and the community in the philippines conversation between sarena abdullah and eileen legaspi ramirez
topic N Fine Arts
url http://eprints.usm.my/31755/1/2018%20Art%20and%20the%20Community%20in%20the%20Philippines.pdf
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