Malay and Islam-Centric national narratives: modern art in Malaysia during the 1980s

THE 1971 NATIONAL CULTURE CONGRESS could be seen as the first official attempt to shape arts and culture in Malaysia. Inspired by increasingly pro-Malay government policies, Malay intellectuals convened at the University of Malaya in August that year to formulate the country’s policy on national...

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Main Author: Abdullah, Sarena
Format: Article
Language:English
Published: International Institute for Asian Studies 2017
Subjects:
Online Access:http://eprints.usm.my/37402/1/Malay_and_Islam-Centric_national_narrati.pdf
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author Abdullah, Sarena
author_facet Abdullah, Sarena
author_sort Abdullah, Sarena
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description THE 1971 NATIONAL CULTURE CONGRESS could be seen as the first official attempt to shape arts and culture in Malaysia. Inspired by increasingly pro-Malay government policies, Malay intellectuals convened at the University of Malaya in August that year to formulate the country’s policy on national culture. Three principles were established, namely, ‘Malaysian National Culture must be based on the indigenous culture of the people from the region’; ‘Elements from other cultures that are deemed proper and appropriate can be integrated as parts of the National Culture’; and ‘Islam as an important element in forming the national culture’. Perhaps more influential than the National Culture Congress in arts and culture was a rise in Islamic consciousness and policies from the mid-1970s onwards in Malaysia.
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spelling usm.eprints-374022017-11-15T03:16:01Z http://eprints.usm.my/37402/ Malay and Islam-Centric national narratives: modern art in Malaysia during the 1980s Abdullah, Sarena ND Painting THE 1971 NATIONAL CULTURE CONGRESS could be seen as the first official attempt to shape arts and culture in Malaysia. Inspired by increasingly pro-Malay government policies, Malay intellectuals convened at the University of Malaya in August that year to formulate the country’s policy on national culture. Three principles were established, namely, ‘Malaysian National Culture must be based on the indigenous culture of the people from the region’; ‘Elements from other cultures that are deemed proper and appropriate can be integrated as parts of the National Culture’; and ‘Islam as an important element in forming the national culture’. Perhaps more influential than the National Culture Congress in arts and culture was a rise in Islamic consciousness and policies from the mid-1970s onwards in Malaysia. International Institute for Asian Studies 2017 Article PeerReviewed application/pdf en http://eprints.usm.my/37402/1/Malay_and_Islam-Centric_national_narrati.pdf Abdullah, Sarena (2017) Malay and Islam-Centric national narratives: modern art in Malaysia during the 1980s. The Newsletter, 77 (Summer). p. 17. https://iias.asia/the-newsletter/article/malay-islam-centric-national-narratives-modern-art-malaysia-during-1980s
spellingShingle ND Painting
Abdullah, Sarena
Malay and Islam-Centric national narratives: modern art in Malaysia during the 1980s
title Malay and Islam-Centric national narratives: modern art in Malaysia during the 1980s
title_full Malay and Islam-Centric national narratives: modern art in Malaysia during the 1980s
title_fullStr Malay and Islam-Centric national narratives: modern art in Malaysia during the 1980s
title_full_unstemmed Malay and Islam-Centric national narratives: modern art in Malaysia during the 1980s
title_short Malay and Islam-Centric national narratives: modern art in Malaysia during the 1980s
title_sort malay and islam centric national narratives modern art in malaysia during the 1980s
topic ND Painting
url http://eprints.usm.my/37402/1/Malay_and_Islam-Centric_national_narrati.pdf
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