Critical readings of perceptual models in the poetry of Linton Kwesi Johnson: bass culture by Layne, L

“…It proposes three perspectives through which to understand Johnson’s influences and to analyse the relationship between aesthetics and politics in his poetry: first, the Anglophone Caribbean literary canon (chapter 1); second, British reggae and punk subcultures (chapter 2); and, third, Jamaican dub and reggae music (chapter 3). …”