Between tradition and subversion. Treatment of folklorised musical references in the early feature films of Pedro Almodóvar by Buljančević Rastko

“…Consequently, well-known theatrical musical pieces and dances such as the pasodoble, zarzuela and sardana acquire transgressive qualities through an unusual play with traditional and postmodern signifiers, aimed at overthrowing conservative patriarchal authority under the Francoist regime.…”
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