Script to Screen: Refining the Sense of Screenwriting and Directorial Cinema in Adapting The Da Vinci Code by Caleb Theodar, Saranya P

“… This research mainly explores the connection between Dan Brown’s The Da Vinci Code, with the filmmaker’s cinematic depiction of literature. Ron Howard as an adaptation director in the Hollywood industry is evaluated in the context of his auteurism and examined his approach of repudiating a substantial portion of the Catholic secrets which dodged the predicament of fidelity, a core of conventional Film Adaptation. …”
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